The Cambridge Companion to Electronic Music

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作   者:Nick Collins,Julio d'Escrivan 著

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ISBN:9780521688659

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简介

  Musicians are always quick to adopt and explore newtechnologies. The fast-paced changes wrought by electrification,from the microphone via the analogue synthesiser to the laptopcomputer, have led to a wide diversity of new musical styles andtechniques. Electronic music has grown to a broad field ofinvestigation, taking in historical movements such as musiqueconcrète and elektronische musik, and contemporary trends such aselectronic dance music and electronica. A fascinating array ofcomposers and inventors have contributed to a diverse set oftechnologies, practices and music. This book brings together somenovel threads through this scene, from the viewpoint of researchersat the forefront of the sonic explorations empowered by electronictechnology. The chapters provide accessible and insightfuloverviews of core topic areas and uncover some hitherto lesspublicised corners of worldwide movements. Recent areas of intenseactivity such as audiovisuals, live electronic music, interactivityand network music are actively promoted.

目录

List of illustrations and figures
Notes on contributors
Acknowledgements
Chronology
Introduction Nick Collins and Julio d'Escriván
Part I. Electronic Music in Context:
 1. The origins of electronic music Andrew Hugill
 2. Electronic music and the studio Margaret Schedel
 3. Live electronic music Nicolas Collins
 4. A history of programming and music Ge Wang
 Artists' Statements I:
  Laurie Spiegel
  Yasunao Tone
  John Oswald
  Mathias Gmachl (Farmer's Manual)
  Erdem Helvacioglu
  Pauline Oliveros
  Chris Jeffs
  Rodrigo Sigal
  Mira Calix
  Denis Smalley
  Seong-Ah Shin
  Carsten Nicolai
  Warren Burt
  Max Mathews
Part II. Electronic Music in Practice:
 5. Interactivity and live computer music Sergi Jordà
 6. Algorithmic composition Karlheinz Essl
 7. Live audiovisuals Amy Alexander and Nick Collins
 8. Network music Julian Rohrhuber
 9. Electronic music and the moving image Julio d'Escriván
 10. Musical robots and listening machines Nick Collins
 Artists' Statements II:
  Kevin Saundersonhg
  Kanta HorioDonna Hewitt
  Alejandro Vinao
  Bubblyfish
  Barry Truax
  Lukas Ligeti (Burkina Electric)
  Christina Kubisch
  Murat Ertel
  Adina Izarra
  Cybork
  Francis Dhomont
  David Behrmann
  Kevin Blechdom (Kristin Erickson)
  Karlheinz Stockhausen
  George E. Lewis
Part III. Analysis and Synthesis:
 11. Computer generation and manipulation of sounds StefaniaSerafin
 12. The psychology of electronic music Petri Toiviainen
 13. Trends in electroacoustic composition Natasha Barrett
Notes
References
Index

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