简介
The title "writings" is slightly misleading; this is not a reader but a survey of jazz and jazz musicians from its inception through the rising stars of the 1990s. Davis (U. of Pittsburgh) writes in the personal tone of someone who has long been active in the jazz scene (the preface is by Donald Byrd, one of many musicians Davis has played with), offering many frank opinions that seek to correct historic misconceptions about jazz and jazz musicians. The audio CD features classic works from Louis Armstrong, Billie Holiday, and Coleman Hawkins, among others. Annotation c. Book News, Inc., Portland, OR (booknews.com)
目录
Foreword p. v
Acknowledgments p. vii
Introduction p. ix
Listening Examples p. xi
1. What is Jazz? p. 1
2. New Orleans p. 45
3. Ragtime p. 63
4. Religion and Jazz? p. 75
5. Ministrelsy and Its Effect on Jazz p. 85
6. The Blues p. 91
7. Chicago and New York During the 1920s p. 105
8. Kansas City: The Focal Point of Jazz in the Late 1920s p. 127
9. Swing p. 139
10. Bebop p. 159
11. Cool and Third Stream p. 191
12. Hard Bop (Late 1950s) p. 207
13. Free Jazz and the Avant-Garde (1960s) p. 229
14. Jazz Rock Fusion: "The Big Crossover" (1970-1980) p. 251
15. Women in Jazz p. 259
16. Jazz: A World Music p. 271
17. The 1980s and 1990s: New Directions in Jazz p. 311
Jazz Education Opportunities p. 339
Endnotes p. 351
Discography of Jazz Recordings p. 355
Bibliography p. 365
Index p. 371
Acknowledgments p. vii
Introduction p. ix
Listening Examples p. xi
1. What is Jazz? p. 1
2. New Orleans p. 45
3. Ragtime p. 63
4. Religion and Jazz? p. 75
5. Ministrelsy and Its Effect on Jazz p. 85
6. The Blues p. 91
7. Chicago and New York During the 1920s p. 105
8. Kansas City: The Focal Point of Jazz in the Late 1920s p. 127
9. Swing p. 139
10. Bebop p. 159
11. Cool and Third Stream p. 191
12. Hard Bop (Late 1950s) p. 207
13. Free Jazz and the Avant-Garde (1960s) p. 229
14. Jazz Rock Fusion: "The Big Crossover" (1970-1980) p. 251
15. Women in Jazz p. 259
16. Jazz: A World Music p. 271
17. The 1980s and 1990s: New Directions in Jazz p. 311
Jazz Education Opportunities p. 339
Endnotes p. 351
Discography of Jazz Recordings p. 355
Bibliography p. 365
Index p. 371
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