简介
Summary:
Publisher Summary 1
The Roman poet Horace is still read today, in and out of the classroom. Davis (classics and comparative literature, Duke University) presents articles that place Horace in his time and place, that of the rise of the Empire under Caesar Augustus, before moving on to interpretations of his writing. The connections to the Emperor and his friends are explained, including the vital topic of patronage. A look at a possible site for Horace's villa is another means of providing context to the poems. The main body of the book gives aspects of the poetry. The political and literary sources of the Odes and Epodes are explored, along with an unvarnished look at his attitude toward women. The Satires and Epistles are examined separately. The final section covers the ways in which Horace was read from his lifetime to the present. These essays are not simply summaries of earlier work, but raise new questions about Horace, making this much more than a reference work. Each essay has suggestions for further reading and there is also a comprehensive bibliography. Annotation 漏2010 Book News, Inc., Portland, OR (booknews.com)
Publisher Summary 2
A Companion to Horacefeatures a collection of commissioned interpretive essays by leading scholars in the field of Latin literature covering the entire generic range of works produced by Horace.Features original essays by a wide range of leading literary scholarsExceeds expectations for the standard handbook by featuring essays that challenge, rather than just summarize, conventional views of Homer's work and influenceConsiders Horace's debt to his Greek predecessorsTreats the reception of Horace from contemporary theoretical perspectivesOffers up-to-date information and illustrations on the archaeological site traditionally identified as Horace's villa in the Sabine countryside
目录
Table Of Contents:
List of Figures.
Notes on Contributors.
Abbreviations Used.
Author's Note.
Acknowledgments.
Introduction.
PART I: Biographical and Social Contexts.
1. The Biographical and Social Foundations of Horace’s Poetic Voice (David Armstrong, University of Texas).
2. Horace’s Friendship: Adaptation of a Circular Argument (William Anderson, University of California, Berkeley).
3. Horace and Imperial Patronage (Phebe Lowell Bowditch, University of Oregon).
4. The Roman Site Identified as Horace’s Villa at Licenza, Italy (Bernard Frischer, University of Virginia).
PART II: Horatian Lyric: Literary Contexts.
5. The Epodes: Genre, Themes, and Arrangement: David Mankin (David Mankin, Cornell University).
6. Defining a Lyric Ethos: Archilochus lyricus and Horatianmelos (Gregson Davis, Duke University).
7. Horace and Lesbian Lyric (Jenny Strauss Clay, University of Virginia).
8. Horace’s Debt to Pindar (William H. Race, University of North Carolina).
9. Female Figures in Horace's Odes (Ronnie Ancona, Hunter College).
10. The Roman Odes (Hans Peter Syndikus, Gymnasium Weilheim, Bavaria).
11. Horace: Odes 4 (Michèle Lowrie, University of Chicago).
12. The Carmen Saeculare (Michael Putnam, Brown University).
PART III: The Satires and Epistles.
13. Horace and the Satirist’s Mask: Shadowboxing with Lucilius (Catherine Schlegel, University of Notre Dame).
14. Horatius Anceps: Persona and Self-revelation in Satire and Song (Kirk Freudenberg, Yale University).
15. Return to Sender: Horace’s sermo from the Epistles to the Satires (Andrea Cucchiarelli, University of Rome).
16. The Epistles (W.R. Johnson, University of Chicago).
PART IV: Reception of Horace’s Poetry.
17. The Reception of Horace's Odes (Lowell Edmunds, Rutgers University).
18. The Metempsychosis of Horace: The Reception of the Satires and Epistles (Susanna Braund, University of British Columbia).
19. Reception of Horace’s Ars Poetica (Leon Golden, Florida State University).
Bibliography
Index.
List of Figures.
Notes on Contributors.
Abbreviations Used.
Author's Note.
Acknowledgments.
Introduction.
PART I: Biographical and Social Contexts.
1. The Biographical and Social Foundations of Horace’s Poetic Voice (David Armstrong, University of Texas).
2. Horace’s Friendship: Adaptation of a Circular Argument (William Anderson, University of California, Berkeley).
3. Horace and Imperial Patronage (Phebe Lowell Bowditch, University of Oregon).
4. The Roman Site Identified as Horace’s Villa at Licenza, Italy (Bernard Frischer, University of Virginia).
PART II: Horatian Lyric: Literary Contexts.
5. The Epodes: Genre, Themes, and Arrangement: David Mankin (David Mankin, Cornell University).
6. Defining a Lyric Ethos: Archilochus lyricus and Horatianmelos (Gregson Davis, Duke University).
7. Horace and Lesbian Lyric (Jenny Strauss Clay, University of Virginia).
8. Horace’s Debt to Pindar (William H. Race, University of North Carolina).
9. Female Figures in Horace's Odes (Ronnie Ancona, Hunter College).
10. The Roman Odes (Hans Peter Syndikus, Gymnasium Weilheim, Bavaria).
11. Horace: Odes 4 (Michèle Lowrie, University of Chicago).
12. The Carmen Saeculare (Michael Putnam, Brown University).
PART III: The Satires and Epistles.
13. Horace and the Satirist’s Mask: Shadowboxing with Lucilius (Catherine Schlegel, University of Notre Dame).
14. Horatius Anceps: Persona and Self-revelation in Satire and Song (Kirk Freudenberg, Yale University).
15. Return to Sender: Horace’s sermo from the Epistles to the Satires (Andrea Cucchiarelli, University of Rome).
16. The Epistles (W.R. Johnson, University of Chicago).
PART IV: Reception of Horace’s Poetry.
17. The Reception of Horace's Odes (Lowell Edmunds, Rutgers University).
18. The Metempsychosis of Horace: The Reception of the Satires and Epistles (Susanna Braund, University of British Columbia).
19. Reception of Horace’s Ars Poetica (Leon Golden, Florida State University).
Bibliography
Index.
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