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简介
目录
章:姜宝林的艺术观
Chapter One:jiang Baolin’S Artistic View
“既要笔墨又要现代”
——我的艺术自白
姜宝林
“Transfuse Modernity into Chinese Painting。
一My Road ofArt
Jiang Baofin
要笔墨
姜宝林
Chinese Painting
Jiang Baofin
要现代
姜宝林
Modernity
Jiang Baofin
试谈黄宾虹的内美和现代意识
姜宝林
Brief Discussion on the inner Beauty and Mode rn COnsciOusness in
;Huang Binhong。S Works
Jiang Baolin
章:视野中的姜宝林
Chapter Two:Jiang Baolin in all International Perspective
姜宝林:作为标记的画带
——在罗兰斯埃克罗兰斯霍夫出版社画展开幕式上的致辞
[德]赫伯特·迈努什
Jiang Baolin Das Band Der Bilder AIs Signatur
;Pr&sentation Und Ausstellung Im Vedlagshaus Rolandshof In Rolandseck
Dr Herhert Mainusrh
姜宝林的山水
——巴黎个展前言
[法]莫德·吉拉尔一热斯朗
Montagne et eau
;Maud Girard—Geslan
姜宝林的理自然主义
[瑞典]拉尔斯·伯橹伦德
The Conceptual Naturalism of Jiang Baolin
;Lars Berglund
姜宝林的绘画:一个西方人的观感
[美]劳丽·亚当斯
The Paintings of Baolin:a Western Perspective
;Lauric Adams
姜宝林的艺术
[英]迈克尔·苏立文
The Art of Jiang Baolin
;Michael Sullivan
姜宝林与山水画:构成主义、图式矫正与空间
[美]大卫·亚当·布鲁伯克
Jiang Baolin and Shanshui Painting:Constructivism,Schema Correction
;and Space
;David Adam Bmbaker
第三章:中国语境中的姜宝林
Chapter Three:Jiang Baolin under Chinese Context
姜宝林:山水画的破局者
——兼论“姜氏山水”
贾方舟
Jiang Baolin:a Game-changer of Chinese Landscape Painting
——Also Discussion on Jiang。s Landscape Painting
Jia Fangzhou
姜宝林艺术的“笔墨”与“现代”
薛永年
The。Brushwork”and’Modernity“of Jiang Baolin‘S Art
Xue Yongnian
姜宝林笔墨语言的现代观念转换及其意义
牛宏宝
The Modern Transformation of Jiang Baolin。S Brushwork Language and
Its Significance
Niu Hongbao
物境·情境·意境物象·心象·图像
——姜宝林中国画艺术赏析
冯远
Content Conception.Passion Conception,Artistic Conception.Object
Images,Heart Images.Scene~Images
——Appreciation of Chinese Paintingy Jiang Baolin
Feng Yuan
时代,追求个
——姜宝林先生绘画印象
文章
Ahead of Time.Pursuit of Individuality
——Impression of Jiang Baolin’s Paintings
Wang Wenzhang
写在姜宝林水墨画集之前
张仃
PrefacetoCollectionofJiangBaolin§InkPaintings
Zhang Ding
新一代大手笔正向我们走来
——姜宝林艺术鉴赏
周韶华
A New Painting Master is Coming to Us
——Aopreciation of Jiang Baolln。s Art
Zhou Shaohua
以变求生,以守制变
——姜宝林画集序
郎绍君
Change for Su rvival,Defend for Offense
——Preface ofJiangBaolin'sArtAlbum
hng Sha~un
一位山水画家的花卉
刘曦林
Flowers of a Landscape Painter
LiUXilin
对传统”山水”画概念颠覆中的留守
万青力
Preservation in the Conceptual Subversion of Traditional Landscape
;Paintings
wanQ-
大用外腓真体内充
——姜宝林的”耗散结构”
鲁湘
G reat Artistic Conception Free frOm External Changes Takes True
;Creativity
——Jiang Baolin’s’‘Dissipative Stru~um’。
Wang Luxiang
现代重写中思考姜宝林的笔墨语言
——另一种书写形态学的发现
夏可君
Thi about Jiang Baolin。S B rushwork Language in Mode rnity
;Rewriting
——Discovery of Another Calligraphic Morphology
XJaKejun
山水画的现代演变:从黄宾虹、李可染到姜宝林
胡明强
The Modern Evolution of Landscape Painting:from Huang Binhong,Li
;Keran to Jiang Baolin
Hu Mingqiang
既要笔墨,又要现代
——对姜宝林先生笔墨的解读
刘文剑
Transfuse Modernity into Chinese PaintingI
; Interpretation of Jiang Baolin。s Painting Art
LiuWenjian
第四章:姜宅林作品I譬I录
Chapter Four:Portfolio ofJiang Baolin’s Artworks
Chapter One:jiang Baolin’S Artistic View
“既要笔墨又要现代”
——我的艺术自白
姜宝林
“Transfuse Modernity into Chinese Painting。
一My Road ofArt
Jiang Baofin
要笔墨
姜宝林
Chinese Painting
Jiang Baofin
要现代
姜宝林
Modernity
Jiang Baofin
试谈黄宾虹的内美和现代意识
姜宝林
Brief Discussion on the inner Beauty and Mode rn COnsciOusness in
;Huang Binhong。S Works
Jiang Baolin
章:视野中的姜宝林
Chapter Two:Jiang Baolin in all International Perspective
姜宝林:作为标记的画带
——在罗兰斯埃克罗兰斯霍夫出版社画展开幕式上的致辞
[德]赫伯特·迈努什
Jiang Baolin Das Band Der Bilder AIs Signatur
;Pr&sentation Und Ausstellung Im Vedlagshaus Rolandshof In Rolandseck
Dr Herhert Mainusrh
姜宝林的山水
——巴黎个展前言
[法]莫德·吉拉尔一热斯朗
Montagne et eau
;Maud Girard—Geslan
姜宝林的理自然主义
[瑞典]拉尔斯·伯橹伦德
The Conceptual Naturalism of Jiang Baolin
;Lars Berglund
姜宝林的绘画:一个西方人的观感
[美]劳丽·亚当斯
The Paintings of Baolin:a Western Perspective
;Lauric Adams
姜宝林的艺术
[英]迈克尔·苏立文
The Art of Jiang Baolin
;Michael Sullivan
姜宝林与山水画:构成主义、图式矫正与空间
[美]大卫·亚当·布鲁伯克
Jiang Baolin and Shanshui Painting:Constructivism,Schema Correction
;and Space
;David Adam Bmbaker
第三章:中国语境中的姜宝林
Chapter Three:Jiang Baolin under Chinese Context
姜宝林:山水画的破局者
——兼论“姜氏山水”
贾方舟
Jiang Baolin:a Game-changer of Chinese Landscape Painting
——Also Discussion on Jiang。s Landscape Painting
Jia Fangzhou
姜宝林艺术的“笔墨”与“现代”
薛永年
The。Brushwork”and’Modernity“of Jiang Baolin‘S Art
Xue Yongnian
姜宝林笔墨语言的现代观念转换及其意义
牛宏宝
The Modern Transformation of Jiang Baolin。S Brushwork Language and
Its Significance
Niu Hongbao
物境·情境·意境物象·心象·图像
——姜宝林中国画艺术赏析
冯远
Content Conception.Passion Conception,Artistic Conception.Object
Images,Heart Images.Scene~Images
——Appreciation of Chinese Paintingy Jiang Baolin
Feng Yuan
时代,追求个
——姜宝林先生绘画印象
文章
Ahead of Time.Pursuit of Individuality
——Impression of Jiang Baolin’s Paintings
Wang Wenzhang
写在姜宝林水墨画集之前
张仃
PrefacetoCollectionofJiangBaolin§InkPaintings
Zhang Ding
新一代大手笔正向我们走来
——姜宝林艺术鉴赏
周韶华
A New Painting Master is Coming to Us
——Aopreciation of Jiang Baolln。s Art
Zhou Shaohua
以变求生,以守制变
——姜宝林画集序
郎绍君
Change for Su rvival,Defend for Offense
——Preface ofJiangBaolin'sArtAlbum
hng Sha~un
一位山水画家的花卉
刘曦林
Flowers of a Landscape Painter
LiUXilin
对传统”山水”画概念颠覆中的留守
万青力
Preservation in the Conceptual Subversion of Traditional Landscape
;Paintings
wanQ-
大用外腓真体内充
——姜宝林的”耗散结构”
鲁湘
G reat Artistic Conception Free frOm External Changes Takes True
;Creativity
——Jiang Baolin’s’‘Dissipative Stru~um’。
Wang Luxiang
现代重写中思考姜宝林的笔墨语言
——另一种书写形态学的发现
夏可君
Thi about Jiang Baolin。S B rushwork Language in Mode rnity
;Rewriting
——Discovery of Another Calligraphic Morphology
XJaKejun
山水画的现代演变:从黄宾虹、李可染到姜宝林
胡明强
The Modern Evolution of Landscape Painting:from Huang Binhong,Li
;Keran to Jiang Baolin
Hu Mingqiang
既要笔墨,又要现代
——对姜宝林先生笔墨的解读
刘文剑
Transfuse Modernity into Chinese PaintingI
; Interpretation of Jiang Baolin。s Painting Art
LiuWenjian
第四章:姜宅林作品I譬I录
Chapter Four:Portfolio ofJiang Baolin’s Artworks
正版 笔墨语言的现代程:从黄宾虹到姜宝林:from Huang Binhong to Jiang Baol博睿图书专营店
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