简介
《文学原理教程》为我国高校本科英语专业文学导论课程教材。该课程以培养学生阅读欣赏英语文学原著的能力、掌握文学批评的基本知识和方法、拓宽学生知识结构为目的。学生在经过本科低年级的英语基础技能训练、进入高年级学习阶段之后，阅读一定能量的英美文学经典作品有助于提高学生的文学修养与人文素质，增强学生对于西方文学与文化的了解。
我国高校英语专业文学导论课多年来没有统一的固定教材，许多高校一直采用由任课教师自行选篇、以讲义代替教材的做法，带有较大的随意性。我们在连续五年的授课过程中，在参考了国外同类教材的基础上，经过不断筛选的调整，编写了这本在内容和程度上都较符合我国高校学生特点的教材，以填补我国英国专业教材中的这一空缺。本书已被列入普通高等教育“十五”国家级规划教材。
《文学原理教程》教材以理论与实践相结合的编写宗旨，强调对于文本的阅读与分析。全书按照小说、诗歌、戏剧三大文学体裁分类编排，取代传统文学课程中以国别或年代为脉络的梳理。本书编写体例如下：小说、诗歌、戏剧各为一章，每一章又按照文学要素分成小节，每节内容分为要素讲解、文学名篇、原文注释、思考题这样几个板块。书中每一章节首先用英语简单明了地解释文学要素，为学生阅读文本提供一种可行的视角和分析模式，然后提供英美文学名篇让学生使用学到的文学批语基本知识欣赏文本并做分析练习。为帮助学生理解原著，所选文本均配以原文注释。另外，为开阔学生思路、引导学生深入思考，在每篇作品后面皆附有思考题，供学生课堂讨论或课后学习。
该教材的教学内容为一学期，授课周时数为两节。教学内容的安排顺序依次为小说、诗歌、戏剧。
本书也可作为我国高校公共外语选修课教材，或作为自考英语教材、以及有一定英语水平的文学爱好者的英语文学读本。
目录
Part One: Fiction
I. Plot
II. Character and Characterization
III. Theme
IV. Point of View
V. Style, Tone, and Irony
VI. Symbol
Part Two: Poetry
I. Tone and Speaker
II. Diction
III. Diction
IV. Image and Symbol
V. Alliteration, Assonance, and Rhyme
VI. Rhythm and Meter
VII. Closed Form and Open Form
VIII. Types of Poetry
Part Three: Drama
I. Elements of Drama
II. Types of Drama
参考书目
Part One: Fiction
I. Plot
Kate Chopin, The Story of an Hour
Irwin Shaw, The Girls in Their Summer Dresses
II. Character and Characterization
Kay Boyle, Astronomer's Wife
Alice Walker, Everyday Use
III. Theme
Sherwood Anderson, I Want to Know Why
William Faulkner, A Rose for Emily
IV. Point of View
Ring Lardner, Haircut
James Joyce, A Little Cloud
V. Style, Tone, and Irony
Ernest Hemingway, A Clean, Well- Lighted Place
Edgar Allan Poe, The Black Cat
VI. Symbol
Katherine Mansfield, The Fly
Shirley Jackson, The Lottery
Part Two: Poetry
I. Tone and Speaker
A. E. Housman, the Loveliest of Trees
Theodore Roethke, My Papa's Waltz
William Blake, The Chimney Sweeper
Jonathan Swift, On Stella's Birthday
Robert Browning, My Last Duchess
T. S. Eliot, The Love Song of J. Alfred Prufrock
II. Diction
1. Concrete and General
2. Formal and Informal
3. Denotation and Connotation
William Carlos Williams, This Is Just to Say
William Carlos Williams, The Red Wheel Barrow
Wallace Stevens, Metamorphosis
William Wordsworth, I Wandered Lonely as a Cloud
William Wordsworth, It Is a Beauteous Evening
Al exander Pope, A Little Learning Is a Dangerous Thing
Thomas Hardy, Ah, Are You Digging on My Grave?
William Blake, London
Wallace Sevens, Disillusionment of Ten O' Clock
Robert Frost, Fire and Ice
III. Figures of Speech
1. Simile and Metaphor
2. Personification and Apostrophe
3. Metonymy and Synecdoche
4. Hyperbole (Overstatement) and Understatement
5. Paradox and Pun
Alfred Tennyson, The Eagle
Sylvia Plath, Metaphors
William Shakespeare, Shaal I Compare Thee to a Summer's Day?
Robert Burns, Oh, My Love Is Like a Red, Red Rose
Emily Dickinsion, It Dropped So Low - in My Regard
Andrew Marvell, To His Coy mistress
John Milton, Methought I Saw My Late Espoused Saint
John Donne, Death Be Not Proud
IV. Image and Symbol
1. Image
2. Symbol
Wallace Stevens, Anecdote of the Jar
H. D. , Heat
Ann Stevenson, The Victory
Emily Dickinson, I Heard a Fly Buzz - When I Died
Walt Whitman, A Noiseless Patient Spider
William Blake, The Sick Rose
Rober Frost , The Road Not Taken
T.S. Eliot, The Boston Evening Transcript
Christina Rossetti, Uphill
William Butler Yeats, The Second Coming
V. Alliteration, Assonance, and Rhyme
1. Alliteration and Assonance
2. Rhyme
William Shakespeare, Full Fathom Five Thy Father Lies
William Shakespeare, Blow, Blow, Thou Winter Wind
Percy Bysshe Shelley, To --
Alfred Tennyson, Splendor Falls on Castle Walls
Gerard Manley Hopkins, God's Grandeur
Philip Larkin, Toads Revisited
VI. Rhythm and Meter
1. Rhythm
2. Meter
John Donne, Song
George Herbert, Virtue
Alfred Tennyson, The Oak
A. E. Housman, When I Was One-and-Twenty
A. E. Housman, Oh, Who Is That Young Sinner
Robert Frost, Stopping by Woods on a Sowy Evening
Thomas Hardy, The Voice
VII. Closed Form and Open Form
1. Closed Form
2. Open Form
3. Poems for the Eye
William Shakespeare, To Be or Not to Be
Samuel Johnson, On What Foundation Stands
Dylan Thomas, Do Not Go Gentle into That Godd Night
Robert Herrick, To The Virgins, to Make Much of Time
Edmund Spenser, Sonnet 75
John Keats, On First Looking into Chapman's Homer
Walt Whitman, With Music Strong I Come
Seamus Heaney, Digging
E. E. Cummings, L ( a
E. E. Cummings, Me Up At Does
VIII. Types of Poetry
1. Epic
2. Ballad
3. Pastoral
4. Lyric
5. Ode
6. Satire
7. Elegy
Virgil, I Sing of Warfare
Anonymous, The Wife of Usher's Well
Christopher Marlowe, The Passionate Shepherd to His Love
Thomal Hardy, In Time of "The Breaking of Nations"
Robert Frost, Nothing Gold Can Stay
Percy Bysshe Shelley, Ode to the West Wind
Jonathan Swife, We All Behold with Envious Eyes
Thomas Gray, Elegy Written in a Country Churchyard
Part Three: Drama
I. Elements of Drama
II. Types of Drama
Susan Glaspell, Trifles
Arthur Miller, Death of a Salesman
I. Plot
II. Character and Characterization
III. Theme
IV. Point of View
V. Style, Tone, and Irony
VI. Symbol
Part Two: Poetry
I. Tone and Speaker
II. Diction
III. Diction
IV. Image and Symbol
V. Alliteration, Assonance, and Rhyme
VI. Rhythm and Meter
VII. Closed Form and Open Form
VIII. Types of Poetry
Part Three: Drama
I. Elements of Drama
II. Types of Drama
参考书目
Part One: Fiction
I. Plot
Kate Chopin, The Story of an Hour
Irwin Shaw, The Girls in Their Summer Dresses
II. Character and Characterization
Kay Boyle, Astronomer's Wife
Alice Walker, Everyday Use
III. Theme
Sherwood Anderson, I Want to Know Why
William Faulkner, A Rose for Emily
IV. Point of View
Ring Lardner, Haircut
James Joyce, A Little Cloud
V. Style, Tone, and Irony
Ernest Hemingway, A Clean, Well- Lighted Place
Edgar Allan Poe, The Black Cat
VI. Symbol
Katherine Mansfield, The Fly
Shirley Jackson, The Lottery
Part Two: Poetry
I. Tone and Speaker
A. E. Housman, the Loveliest of Trees
Theodore Roethke, My Papa's Waltz
William Blake, The Chimney Sweeper
Jonathan Swift, On Stella's Birthday
Robert Browning, My Last Duchess
T. S. Eliot, The Love Song of J. Alfred Prufrock
II. Diction
1. Concrete and General
2. Formal and Informal
3. Denotation and Connotation
William Carlos Williams, This Is Just to Say
William Carlos Williams, The Red Wheel Barrow
Wallace Stevens, Metamorphosis
William Wordsworth, I Wandered Lonely as a Cloud
William Wordsworth, It Is a Beauteous Evening
Al exander Pope, A Little Learning Is a Dangerous Thing
Thomas Hardy, Ah, Are You Digging on My Grave?
William Blake, London
Wallace Sevens, Disillusionment of Ten O' Clock
Robert Frost, Fire and Ice
III. Figures of Speech
1. Simile and Metaphor
2. Personification and Apostrophe
3. Metonymy and Synecdoche
4. Hyperbole (Overstatement) and Understatement
5. Paradox and Pun
Alfred Tennyson, The Eagle
Sylvia Plath, Metaphors
William Shakespeare, Shaal I Compare Thee to a Summer's Day?
Robert Burns, Oh, My Love Is Like a Red, Red Rose
Emily Dickinsion, It Dropped So Low - in My Regard
Andrew Marvell, To His Coy mistress
John Milton, Methought I Saw My Late Espoused Saint
John Donne, Death Be Not Proud
IV. Image and Symbol
1. Image
2. Symbol
Wallace Stevens, Anecdote of the Jar
H. D. , Heat
Ann Stevenson, The Victory
Emily Dickinson, I Heard a Fly Buzz - When I Died
Walt Whitman, A Noiseless Patient Spider
William Blake, The Sick Rose
Rober Frost , The Road Not Taken
T.S. Eliot, The Boston Evening Transcript
Christina Rossetti, Uphill
William Butler Yeats, The Second Coming
V. Alliteration, Assonance, and Rhyme
1. Alliteration and Assonance
2. Rhyme
William Shakespeare, Full Fathom Five Thy Father Lies
William Shakespeare, Blow, Blow, Thou Winter Wind
Percy Bysshe Shelley, To --
Alfred Tennyson, Splendor Falls on Castle Walls
Gerard Manley Hopkins, God's Grandeur
Philip Larkin, Toads Revisited
VI. Rhythm and Meter
1. Rhythm
2. Meter
John Donne, Song
George Herbert, Virtue
Alfred Tennyson, The Oak
A. E. Housman, When I Was One-and-Twenty
A. E. Housman, Oh, Who Is That Young Sinner
Robert Frost, Stopping by Woods on a Sowy Evening
Thomas Hardy, The Voice
VII. Closed Form and Open Form
1. Closed Form
2. Open Form
3. Poems for the Eye
William Shakespeare, To Be or Not to Be
Samuel Johnson, On What Foundation Stands
Dylan Thomas, Do Not Go Gentle into That Godd Night
Robert Herrick, To The Virgins, to Make Much of Time
Edmund Spenser, Sonnet 75
John Keats, On First Looking into Chapman's Homer
Walt Whitman, With Music Strong I Come
Seamus Heaney, Digging
E. E. Cummings, L ( a
E. E. Cummings, Me Up At Does
VIII. Types of Poetry
1. Epic
2. Ballad
3. Pastoral
4. Lyric
5. Ode
6. Satire
7. Elegy
Virgil, I Sing of Warfare
Anonymous, The Wife of Usher's Well
Christopher Marlowe, The Passionate Shepherd to His Love
Thomal Hardy, In Time of "The Breaking of Nations"
Robert Frost, Nothing Gold Can Stay
Percy Bysshe Shelley, Ode to the West Wind
Jonathan Swife, We All Behold with Envious Eyes
Thomas Gray, Elegy Written in a Country Churchyard
Part Three: Drama
I. Elements of Drama
II. Types of Drama
Susan Glaspell, Trifles
Arthur Miller, Death of a Salesman
Elements of Literature
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- 类型
- 大小
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