来自东方的视角：莫言小说研究文集

Introduction
Jiang Lin and Li Yan .........................................................................i
Preface
Jiang Lin ........................................................................................ iii
Mo Yan and the Chinese Mind
Li Jingze ..........................................................................................1
Originality and Transcendence: What Mo Yan Has
Enlightened Us
Guo Jie ..........................................................................................11
Hallucination, Localization and Folk Narrative
Tradition: Mo Yan and Literary Criticism
Cheng Guangwei ..........................................................................24
Folkness and Literature:   e Chinese Experience in Mo
Yan’s Narratives
Zhang Ning ...................................................................................52
Mnemonics: Intergenerational Metaphor, Ideological
Fantasy and Memory Field: A Reading of Mo Yan’s   e
Transparent Carrot
Wang Min ......................................................................................82
Childhood Narrative: The Richness of Meanings in
Reinterpretation of Mo Yan’s   e Transparent Carrot
Wang Yusong ................................................................................98
viii
Samsara, Violence and Satire: A Discussion of the Absurd
Narration in Mo Yan’s Life and Death Are Wearing Me Out
Wu Yaozong ................................................................................114
The Carnivalesque Narrative of the Devil Dance: Mo
Yan’s Narrative Characteristics in Red Sorghum Clan
Ding Guoxing and Chen Haiquan ..............................................138
The Historical Image and the History of the Image: A
Discussion of Gains and Losses in Mo Yan’s Red Sorghum Clan
Jiang Chun ..................................................................................154
Is Big Breasts and Wide Hips an “Almost Reactionary
Work”? : Comments on the Conceptions and Methods
of Mr. He Guorui’s Literary Criticism
Yi Zhuxian and Chen Guo’en ......................................................172
  e Fact and Fable in   e Republic of Wine: About Mo
Yan’s Narrative Strategies
Zhou Yingxiong ..........................................................................186
Elegy of History and the Swan Song of Life: A Discussion
of Mo Yan’s New Novel Sandalwood Death
Han Chen ....................................................................................199
“Biopolitics” and Historical Writing: A Discussion of
Mo Yan’s Frog
Li Songrui ...................................................................................219
Mo Yan and William Faulkner: Construction and Interpretation
of Folk Mythology
Li Yingfeng ..................................................................................235
Notes on Contributors ................................................................247
Notes on Translators ..................................................................252
Appendix: Partial Lists of Mo Yan’s Works in Both
Chinese and English ...............................................................254