朝鮮紀事[善本]:一卷

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作   者:(明)倪謙撰

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ISBN:9780072407006

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简介

目录

Table Of Contents:
Preface ix
Acknowledgments x

Introduction 2(28)

The Vocabulary of Introductory Terms 4(2)

The Need and Search for Art 6(5)

The Ingredients of Art 11(11)

The Three Basic Components of a Work of Art 12(1)

Subject 12(1)

Form 13(1)

Content 14(4)

Savoring the Ingredients 18(4)

The Ingredients Assembled 22(8)

Two-Dimensional Media and Techniques 24(2)

The Two-Dimensional Picture Plane 26(1)

The Picture Frame 26(2)

Positive and Negative Areas 28(1)

The Art Elements 29(1)

Form 30(44)

The Vocabulary of Form 32(1)

Form and Visual Ordering 33(40)

The Seven Principles of Organization 34(1)

Harmony (1) 35(17)

Variety (2) 52(1)

Balance (3) 53(8)

Proportion (4) 61(7)

Dominance (5) 68(1)

Movement (6) 69(2)

Economy (7) 71(2)

Space: Result of Elements/Principles 73(1)

Form Unity: A Summary 73(1)

Line 74(20)

The Vocabulary of Line 76(1)

Line: The Elementary Means of Communication 76(5)

The Physical Characteristics of Line 81(3)

Measure 81(1)

Type 81(1)

Direction 82(1)

Location 82(1)

Character 83(1)

The Expressive Properties of Line 84(1)

Line and the Other Art Elements 85(5)

Line and Shape 85(2)

Line and Value 87(1)

Line and Texture 88(1)

Line and Color 89(1)

The Spatial Characteristics of Line 90(1)

Line and Representation 90(4)

Shape 94(22)

The Vocabulary of Shape 96(1)

Introduction to Shape 97(1)

The Definition of Shape 97(3)

The Use of Shapes 100(11)

Shape Dimensions 101(1)

The Illusions of Two-Dimensional Shapes 101(1)

The Illusions of Three-Dimensional Shapes 102(4)

Shape and Principles of Design 106(1)

Balance 106(1)

Direction 107(1)

Duration and Relative Dominance 108(2)

Harmony and Variety 110(1)

Shapes and the Space Concept 111(1)

Shape and Content 111(5)

Value 116(16)

The Vocabulary of Value 118(1)

Introduction to Value Relationships 119(1)

Descriptive Uses of Value 120(2)

Expressive Uses of Value 122(5)

Chiaroscuro 123(2)

Tenebrism 125(1)

Printmaking Techniques and Value 125(1)

Decorative Value 126(1)

Compositional Functions of Value 127(5)

Value Patterns 129(2)

Open and Closed Compositions 131(1)

Texture 132(14)

The Vocabulary of Texture 134(1)

Introduction to Texture 135(1)

Texture and the Visual Arts 135(2)

The Nature of Texture 137(1)

Types of Texture 137(5)

Actual Texture 137(2)

Simulated Texture 139(1)

Abstract Texture 140(1)

Invented Texture 141(1)

Texture and Pattern 142(1)

Texture and Composition 143(2)

Relative Dominance and Movement 143(1)

Psychological Factors 144(1)

Texture and Space 145(1)

Texture and Art Media 145(1)

Color 146(34)

The Vocabulary of Color 148(1)

The Characteristics of Color 149(24)

Light: The Source of Color 149(1)

Additive Color 150(1)

Subtractive Color 151(1)

Artist's Color Mixing 152(1)

The Triadic Color System 153(1)

Neutrals 153(1)

The Physical Properties of Color 154(1)

Hue 154(1)

Value 155(1)

Intensity 156(2)

Developing Aesthetic Color Relationships 158(1)

Complements and Split-Complements 159(1)

Triads 159(1)

Tetrads 160(1)

Analogous and Monochromatic Colors 160(1)

Warm and Cool Colors 161(1)

Plastic Colors 161(1)

Simultaneous Contrast 162(3)

Color and Emotion 165(2)

Psychological Application of Color 167(1)

The Evolution of the Color Wheel 167(1)

The Origins of Color Systems 168(1)

The Discovery of Pigment Primaries 168(1)

The First Triadic Color Wheel 168(1)

American Educators 168(1)

The Ostwald Color System 168(1)

The Munsell Color System 169(1)

The Subtractive Printing System (Process Color System) 169(2)

Color Photography 171(1)

Color Computer Printing 172(1)

The Discovery of Light Primaries 173(1)

The Role of Color in Composition 173(2)

Color Balance 175(5)

Color and Harmony 175(2)

Color and Variety 177(3)

Space 180(40)

The Vocabulary of Space 182(1)

Introduction to Space 183(1)

Spatial Perception 183(1)

Major Types of Space 183(2)

Decorative Space 183(1)

Plastic Space 183(1)

Divisions of Plastic Space 184(1)

Shallow Space 184(1)

Deep and Infinite Space 184(1)

Spatial Indicators 185(21)

Sharp and Diminishing Detail 185(1)

Size 186(1)

Position 186(1)

Overlapping 187(1)

Transparency 187(1)

Interpenetration 188(1)

Fractional Representation 188(1)

Converging Parallels 189(1)

Linear Perspective 190(2)

Major Systems of Linear Perspective 192(7)

Perspective Concepts Applied 199(3)

The Disadvantages of Linear Perspective 202(2)

Other Projection Systems 204(2)

Intuitive Space 206(1)

The Spatial Properties of the Elements 206(5)

Line and Space 206(2)

Shape and Space 208(1)

Value and Space 208(1)

Texture and Space 209(1)

Color and Space 210(1)

Recent Concepts of Space 211(1)

The Search for a New Spatial Dimension 211(9)

Plastic Images 213(1)

Pictorial Representations of Movement in Time 213(2)

Motion Pictures 215(3)

Television 218(1)

The Computer and Art 218(1)

Multimedia 219(1)

The Art of the Third Dimension 220(28)

The Vocabulary of the Third Dimension 222(1)

Basic Concepts of Three-Dimensional Art 223(7)

Sculpture 224(1)

Other Areas of Three-Dimensional Art 225(2)

Architecture 227(1)

Metalwork 228(1)

Glass Design 228(1)

Ceramics 228(2)

Fiberwork 230(1)

Product Design 230(1)

The Components of Three-Dimensional Art 230(18)

Materials and Techniques 230(1)

Subtraction 231(1)

Manipulation 231(1)

Addition 232(1)

Substitution 232(1)

The Elements of Three-Dimensional Form 233(1)

Shape 233(2)

Value 235(1)

Space 236(2)

Texture 238(1)

Line 238(1)

Color 239(1)

Time (The Fourth Dimension) 240(1)

Principles of Three-Dimensional Order 240(1)

Harmony and Variety 241(1)

Balance 242(1)

Proportion 243(1)

Economy 243(1)

Movement 244(1)

Installations 245(3)

Content and Style 248(83)

Introduction to Content and Style 250(1)

Nineteenth-Century Art 250(18)

Neoclassicism (c. 1750--1820) 251(1)

Romantic Art 252(3)

Beginning of Photography 255(1)

Realism 256(2)

Technological Developments in Photography 258(1)

Impressionism 259(4)

Post-Impressionism 263(4)

Photographic Trends 267(1)

Early Twentieth-Century Art 268(26)

Expressionism 268(1)

French Expressionism: The Fauves 269(1)

German Expressionism 270(2)

Sculpture in the Early 1900s 272(2)

Expressionism in the United States 274(1)

Expressionism in Mexico 274(1)

Color Photography and Other New Trends 274(1)

Cubism 275(3)

Futurism 278(2)

Abstract Art 280(1)

Abstract Art in Europe 280(2)

Abstract Art in the United States 282(1)

Abstract Sculpture 283(1)

Abstract and Realist Photography 283(3)

Fantastic Art 286(1)

Dadaism 287(1)

Individual Fantasists 288(1)

Surrealist Painting 289(2)

Surrealist Sculpture 291(1)

Surrealism and Photography 292(2)

Late Twentieth-Century Art 294(37)

Abstract-Expressionist Painting 294(5)

Abstract-Expressionist Sculpture 299(4)

Abstract-Expressionism and Photography 303(1)

Kinetic Sculpture 304(1)

Pop Art and Assemblage 305(5)

Happenings and Performance or Action Art 310(1)

Op Art 310(2)

Minimalism 312(3)

Environmental Art and Installations 315(4)

Postmodernism 319(2)

New Realism (Photorealism) 321(1)

Process and Conceptual Art 322(2)

Neo-Expressionism 324(1)

Feminist Art 325(2)

Other Trends: Neo-Abstraction, Film Stills, New New Painting 327(1)

Neo-Abstraction 327(3)

Film Stills 330(1)

New New Painting 330(1)
Chronological Outline of Western Art 331(5)
Glossary 336(7)
Bibliography 343(2)
Index 345

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