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ISBN：9780415782296

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简介

简介

This collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Postcolonial cinema is presented, not as a rigid category, but as an optic through which to address questions of postcolonial historiography, geography, subjectivity, and epi... more 籹temology. Current circumstances of migration and immigration, militarization, economic exploitation, racial and religious conflict, enactments of citizenship, and cultural self-representation have deep roots in colonial/postcolonial/neocolonial histories. Contributors deeply engage the tense asymmetries bequeathed to the contemporary world by the multiple,diverse, and overlapping histories of European, Soviet, U.S., and multi-national imperial ventures. With interdisciplinary expertise, they discover and explore the conceptual temporalities and spatialities of postcoloniality, with an emphasis on the politics of form, the ?postcolonial aesthetics? through which filmmakers challenge themselves and their viewers to move beyond national and imperial imaginaries. Contributors include: Jude G. Akudinobi, Kanika Batra, Ruth Ben-Ghiat, Shohini Chaudhuri, Julie F. Codell, Sabine Doran, Hamish Ford, Claudia Hoffmann, Anik?Imre, Priya Jaikumar, Mariam B. Lam, Paulo de Medeiros, Sandra Ponzanesi, Richard Rice, Mireille Rosello and Marguerite Waller. ?less

Table Of Contents:

List of figures x

List of contributors xii
Acknowledgments xvii
Introduction 1(16)

Sandra Ponzanesi

Marguerite Waller

PART I Cinemas of empire 17(44)

Introduction to Part I 17(3)

Sandra Ponzanesi

Marguerite Waller

1 Italian Fascism's empire cinema: Kif Tebbi, the conquest of Libya, and the assault on the nomadic 20(12)

Ruth Ben-Ghiat

2 Blackface, faciality, and colony nostalgia in 1930s empire films 32(15)

Julie Codell

3 The socialist historical film 47(14)

Aniko Imre

PART II Postcolonial cinemas: unframing histories 61(66)

Introduction to Part II 61(2)

Sandra Ponzanesi

Marguerite Waller

4 From otherness "over there" to virtual presence: Camp de Thiaroye - The Battle of Algiers - Hidden 63(15)

Hamish Ford

5 Fraught frames: Fatima, L'Algerienne de Dakar and postcolonial quandaries 78(15)

Jude G. Akudinobi

6 Postcolonial relationalities in Philippe Faucon's Dans la vie 93(14)

Mireille Rosello

7 The postcolonial condition of "Indochinese" cinema from Viet Nam, Cambodia, and Laos 107(20)

Mariam B. Lam

PART III Postcolonial cinemas: postcolonial aesthetics 127(62)

Introduction to Part III 127(2)

Sandra Ponzanesi

Marguerite Waller

8 Spectral postcoloniality: lusophone postcolonial film and the imaginary of the nation 129(14)

Paulo De Medeiros

9 The aesthetics of postcolonial cinema in Raul Ruiz's Three Crowns of the Sailor 143(14)

Sabine Doran

10 The postcolonial circus: Maurizio Nichetti's Luna e l'altra 157(15)

Marguerite Waller

11 Postcolonial adaptations: gained and lost in translation 172(17)

Sandra Ponzanesi

PART IV Postcolonial cinemas and globalization 189(53)

Introduction to Part IV 189(2)

Sandra Ponzanesi

Marguerite Waller

12 Unpeople: postcolonial reflections on terror, torture and detention in Children of Men 191(14)

Shohini Chaudhuri

13 Mira Nair's Monsoon Wedding and the transcoded audiologic of postcolonial convergence 205(13)

Kanika Batra

Rich Rice

14 Nollywood in transit: the globalization of Nigerian video culture 218(15)

Claudia Hoffmann

15 Postface: an interview 233(9)

Priya Jaikumar
Index 242

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