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ISBN:9780816639397

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简介

Summary: Publisher Summary 1 Clement Greenberg (1909-1994) was a colossus of twentieth-century American art, achieving a degree of authority almost unimaginable for a critic today. For more than thirty years he was both lionized as a proponent of formalism and criticized for his perceived dogmatism. In the postwar period Greenberg used his position of influence to advocate the importance of abstract expressionism and color-field painting and to establish the careers of such artists as Jackson Pollock, Hans Hofmann, Barnett Newman, and Willem de Kooning. With the coming of pop art, performance and conceptual art, and postmodernism, however, Greenberg found his position increasingly challenged. Edited with an introduction by critic Robert C. Morgan, Clement Greenberg, Late Writings is the first collection from the period 1970 to 1990, and the only comprehensive resource for Greenberg’s thought during the last third of his life. While earlier works have covered Greenberg’s early and middle career, this volume spans his mature period, during which he reevaluates and refines many of his earlier tenets in some of his most carefully crafted and engaging work. Exploring a surprising breadth of issues and mediums and demonstrating a depth of aesthetic and philosophical insights, in these relatively unknown works Greenberg incites a new direction for modernism beyond the twentieth century. This essential volume includes five interviews from the end of his life in which Greenberg revisits some of the concerns of his formative years, illuminating the progression of his thought. Late Writingsis an integral resource as issues of quality and significance in the dynamic world of art continue to be redefined. Clement Greenberg was the most influential art critic of the postwar period. He was the author of numerous books, and his essays appeared in art magazines as well as such publications as Partisan Review, Commentary, and The Nation. Robert C. Morgan is the author of The End of the Art Worldand of a monograph on the optical painter Vasarely. In addition to his work as a critic, artist, art historian, and curator, he is visiting professor of art at Hunter College in New York City.  

目录

Table Of Contents:
ACKNOWLEDGMENTS vii
INTRODUCTION: THE CRUX OF MODERNISM ix

Robert C. Morgan
I. The Avant-Garde and Modernism

COUNTER-AVANT-GARDE 5

LOOKING FOR THE AVANT-GARDE 19

MODERN AND POSTMODERN 25

BEGINNINGS OF MODERNISM 34
II. States of Criticism

NECESSITY OF "FORMALISM" 45

CAN TASTE BE OBJECTIVE? 50

ABSTRACT, REPRESENTATIONAL, AND SO FORTH 58

DETACHED OBSERVATIONS 63

SEMINAR 6 74

STATES OF CRITICISM 86

INTERMEDIA 93

TO COPE WITH DECADENCE 99
III. Art and Culture

OLD INDIA: HER MONUMENTS 105

INFLUENCES OF MATISSE 109

FOUR SCOTTISH PAINTERS 115

PICASSO 118

CLYFFORD STILL 121

THE GOLDEN FLOATING WORLD OF SOTATSU 133

GLASS AS HIGH ART 137

ART AND CULTURE 140

DRAWING 142

RESPONSE TO "NEW YORK IN THE EIGHTIES" 144
IV. Interviews

CLEMENT GREENBERG 149

James Faure Walker

A CONVERSATION WITH CLEMENT GREENBERG IN THREE PARTS 169

Trish Evans and Charles Harrison

AN INTERVIEW WITH CLEMENT GREENBERG 204

Robert Kehlmann

CLEMENT GREENBERG: MODERNISM OR BARBARISM 216

Karlheinz Liideking

CLEMENT GREENBERG: THE EAST INTERVIEW 230

Saul Ostrow
NOTES ON PREVIOUS PUBLICATIONS 245

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