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简介
在编辑这个文库时,我们在两方面下了功夫。
一方面,在选书时,我们求全,求新,求有代表性和前瞻性。我们不偏爱一家之言,也不只收一家外国出版社之书。语言学与应用语言学的主干学科固然受到了应有的重视,分支学科可也不忽视。语料语言学、语言统计学是新兴学科,我们收入了专著;句法学、语义学久已有人研究,我们也找到了有关的最新著作。
另一方面,我们邀请了国内知名的博士生导师、硕士生导师为各书撰文导读,为读者铺平道路。语言学和应用语言学专著包罗宏富,初学者读起来可能觉得茫无头绪。为了助他们一臂之力,本文库中每一种书我们都请专家写了一万字左右的导读材料。哪怕书中内容比较陌生,谁只要在读书前看一下导读材料,读书后把材料再看一遍,一定能弄清脉络,掌握要点。
目录
preface by halliday
王宗炎序
preface by chomsky
沈家煊序
导读
foreword
preface
acknowledgments
introduction
0.1 the 'lang.-lit.' problem
0.2 a descriptive rhetoric
0.3 poetic language and 'ordinary' language
0.4 a possible misgiving
notes
poetry and the language of past and present
1.1 varieties of english usage
1.1.1 dialects
1.1.2 registers: usage according to situation
1.2 linguistic convention in poetry
1.2.1 the trend of conformity
.1.2.2 the function of archaism
1.2.3 poetic language and 'poetical' language
1.2.4 grand, middle, and plain styles
1.2.5 the routine licences of verse composition
examples for discussion
notes
2 the creative use of language
2.1 the escape from banality
2.2 two meanings of'creative'
2.3 the qualities of prose in poetry
2.4 degrees of linguistic audacity
examples for discussion
notes
varieties of poetic licence
3.1 anatomy of language
3.1.1 three main levels: realization, form, semantics
3.1.2 phonology and graphology
3.1.3 meaning and significance
3.1.4 ancillary branches of linguistics
3.2 types of deviation
3.2.1 lexical deviation
3.2.2 grammatical deviation
3.2.3 phonological deviation
3.2.4 graphological deviation
3.2.5 semantic deviation
3.2.6 dialectal deviation
3.2.7 deviation of register
3.2.8 deviation of historical period
3.3 conclusion
examples for discussion
notes
foregrounding and interpretation
4. 1 foregrounding
4.1.1 foregrounding in art and elsewhere
4.1.2 an example
4.2 interpretation
4.2.1 the subjectivity of interpretation
4.2.2 the 'warranty' for a deviation
4.3 parallelism
4.3.1 parallelism as foregrounded regularity
4.3.2 how much regularity?
4.3.3 patterns of identity and contrast
4.3.4 the interpretation of parallelism
examples for discussion
notes
verbal repetition
5.1 schemes and tropes
5.2 formal repetitions
5.2.1 free verbal repetition
5.2.2 types of verbal parallelism
5.2.3 the functions of verbal parallelism
examples for discussion
notes
6 patterns of sound
6.1 sound patterns within syllables
6.2 sound patterns in relation to stress
6.3 'music' in poetry
6.4 the interpretation of sound patterns
6.4.1 'chiming'
6.4.2 onomatopoeia
6.4.3 varieties of onomatopoeia
examples for discussion
notes
metre
7. 1 rhythm and metre
7.2 the rhythm of english
7.2.1 the measure: the unit of rhythm
7.2.2 which syllables are stressed?
7.2.3 pauses
7.2.4 syllable length
7.3 metre and the line of verse
7.3.1 english metre as rhythmic parallelism
7.3.2 the 'foot' of traditional prosody
7.3.3 the line of verse
7.3.4 some numerical aspects of metre
7.3-5 accentual metre
7.4 the interaction of rhythm and verse form
7.4.1 defeated expectancy
7.4.2 metrical variation
7.5 grammar and metre
7.5.1 enjambment
7.5.2 the 'verse paragraph'
for discussion
notes
the irrational in poetry
8.1 a logical view of meaning
8.1.1 some types of semantic oddity
8.1.2 definition and description
8.2 redundancy in poetry
8.2.1 pleonasm
8.2.2 tautology
8.2.3 periphrasis
8.3 absurdity in poetry
8.3.1 oxymoron
8.3.2 paradox
8.4 beyond reason and credibility
examples for discussion
notes
9 figurative language
9.1 transference of
9. 1.1 synecdoche
9. 1.2 metaphor
9. 1.3 metonymy
9.2 aspects of metaphor
9.2.1 how to analyse a metaphor
9.2.2 simile and metaphor
9.2.3 notional classes of metaphor
9.2.4 extended metaphor
9.2.5 compound metaphor and mixed metaphor
9.2.6 symbolism and allegory
examples for discussion
notes
10 honest deceptions
10.1 hyperbole and litotes
10.1.1 hyperbole
10.1.2 litotes or rhetorical understatement
10.1.3 the uses of hyperbole and litotes
10.2 irony
10.2.1 the mask of irong
10.2.2 irony and metaphor
10.2.3 innuendo
10.2.4 irony of tone
examples for discussion
notes
11 implications of context
11.1 licences of situation
11.1.1 rhetorical question
11.1.2 apostrophe
11.1.3 routine licences of situation
11.2 the given situation
11.3 the 'world within the poem'
11.3.1 the introduction of inferred situations
11.3.2 words of definite meaning
11.3.3 fact and fiction
11.3.4 impossible situations
11.4 situation and action
11.5 conclusion
examples for discussion
notes
12 ambiguity and indeterminacy
12.1 kinds of ambiguity
12.2 puns and word-play
12.2.1 technical variations
12.2.2 in defence of the pun
12.3 open interpretation
12.3.1 sources of multiple and indeterminate signifi-
cance
12.3.2 the analogy of visual arts
12.3.3 seeking the optimal interpretation
examples for discussion
notes
conclusion
notes
suggestions for further reading
general index
index of sources of examples for discussion
文库索引
王宗炎序
preface by chomsky
沈家煊序
导读
foreword
preface
acknowledgments
introduction
0.1 the 'lang.-lit.' problem
0.2 a descriptive rhetoric
0.3 poetic language and 'ordinary' language
0.4 a possible misgiving
notes
poetry and the language of past and present
1.1 varieties of english usage
1.1.1 dialects
1.1.2 registers: usage according to situation
1.2 linguistic convention in poetry
1.2.1 the trend of conformity
.1.2.2 the function of archaism
1.2.3 poetic language and 'poetical' language
1.2.4 grand, middle, and plain styles
1.2.5 the routine licences of verse composition
examples for discussion
notes
2 the creative use of language
2.1 the escape from banality
2.2 two meanings of'creative'
2.3 the qualities of prose in poetry
2.4 degrees of linguistic audacity
examples for discussion
notes
varieties of poetic licence
3.1 anatomy of language
3.1.1 three main levels: realization, form, semantics
3.1.2 phonology and graphology
3.1.3 meaning and significance
3.1.4 ancillary branches of linguistics
3.2 types of deviation
3.2.1 lexical deviation
3.2.2 grammatical deviation
3.2.3 phonological deviation
3.2.4 graphological deviation
3.2.5 semantic deviation
3.2.6 dialectal deviation
3.2.7 deviation of register
3.2.8 deviation of historical period
3.3 conclusion
examples for discussion
notes
foregrounding and interpretation
4. 1 foregrounding
4.1.1 foregrounding in art and elsewhere
4.1.2 an example
4.2 interpretation
4.2.1 the subjectivity of interpretation
4.2.2 the 'warranty' for a deviation
4.3 parallelism
4.3.1 parallelism as foregrounded regularity
4.3.2 how much regularity?
4.3.3 patterns of identity and contrast
4.3.4 the interpretation of parallelism
examples for discussion
notes
verbal repetition
5.1 schemes and tropes
5.2 formal repetitions
5.2.1 free verbal repetition
5.2.2 types of verbal parallelism
5.2.3 the functions of verbal parallelism
examples for discussion
notes
6 patterns of sound
6.1 sound patterns within syllables
6.2 sound patterns in relation to stress
6.3 'music' in poetry
6.4 the interpretation of sound patterns
6.4.1 'chiming'
6.4.2 onomatopoeia
6.4.3 varieties of onomatopoeia
examples for discussion
notes
metre
7. 1 rhythm and metre
7.2 the rhythm of english
7.2.1 the measure: the unit of rhythm
7.2.2 which syllables are stressed?
7.2.3 pauses
7.2.4 syllable length
7.3 metre and the line of verse
7.3.1 english metre as rhythmic parallelism
7.3.2 the 'foot' of traditional prosody
7.3.3 the line of verse
7.3.4 some numerical aspects of metre
7.3-5 accentual metre
7.4 the interaction of rhythm and verse form
7.4.1 defeated expectancy
7.4.2 metrical variation
7.5 grammar and metre
7.5.1 enjambment
7.5.2 the 'verse paragraph'
for discussion
notes
the irrational in poetry
8.1 a logical view of meaning
8.1.1 some types of semantic oddity
8.1.2 definition and description
8.2 redundancy in poetry
8.2.1 pleonasm
8.2.2 tautology
8.2.3 periphrasis
8.3 absurdity in poetry
8.3.1 oxymoron
8.3.2 paradox
8.4 beyond reason and credibility
examples for discussion
notes
9 figurative language
9.1 transference of
9. 1.1 synecdoche
9. 1.2 metaphor
9. 1.3 metonymy
9.2 aspects of metaphor
9.2.1 how to analyse a metaphor
9.2.2 simile and metaphor
9.2.3 notional classes of metaphor
9.2.4 extended metaphor
9.2.5 compound metaphor and mixed metaphor
9.2.6 symbolism and allegory
examples for discussion
notes
10 honest deceptions
10.1 hyperbole and litotes
10.1.1 hyperbole
10.1.2 litotes or rhetorical understatement
10.1.3 the uses of hyperbole and litotes
10.2 irony
10.2.1 the mask of irong
10.2.2 irony and metaphor
10.2.3 innuendo
10.2.4 irony of tone
examples for discussion
notes
11 implications of context
11.1 licences of situation
11.1.1 rhetorical question
11.1.2 apostrophe
11.1.3 routine licences of situation
11.2 the given situation
11.3 the 'world within the poem'
11.3.1 the introduction of inferred situations
11.3.2 words of definite meaning
11.3.3 fact and fiction
11.3.4 impossible situations
11.4 situation and action
11.5 conclusion
examples for discussion
notes
12 ambiguity and indeterminacy
12.1 kinds of ambiguity
12.2 puns and word-play
12.2.1 technical variations
12.2.2 in defence of the pun
12.3 open interpretation
12.3.1 sources of multiple and indeterminate signifi-
cance
12.3.2 the analogy of visual arts
12.3.3 seeking the optimal interpretation
examples for discussion
notes
conclusion
notes
suggestions for further reading
general index
index of sources of examples for discussion
文库索引
A Linguistic Guide to English Poetry
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