中国纪录片发展研究报告2018

Introduction1. Documentaries2. The Documentary: Its Situations and Markets3. The Documentary Industry4. The New Media Documentary5. The International Communication of China’s Documentary and China’s Image in the International Documentary6. ConclusionChapter 1 Documentary Channels and Programs in 20171.1 The Overall Pattern of Chinese Documentary Channels1.2 CCTV Documentary Channel1.3 Shanghai Documentary Channel1.4 Beijing Documentary Channel1.5 Hu’nan Golden Eagle Documentary Channel1.6 Operations Management of Documentary Channels1.7 The Program Production of Documentary Channels1.8 Arrangement of Documentary Channels’ Programs1.9 Communication Effect of Documentary Channels1.10 Overall Structure of Documentary Columns1.11 New Trends of Documentary ColumnsChapter 2 Documentary Works in 20172.1 Types and Features2.2 The Dissemination of Documentaries2.3 Cultural and Aesthetic Characteristics Chapter 3 New Media Documentary in 2017 3.1 Key Words of Chinese New Media Documentary in 2017 3.2 Current Problems 3.3 Difference from the United States 3.4 Future Outlook Chapter 4 Documentary Industry in 2017 4.1 Industrial Ecology 4.2 Market Entities4.3 Development Status Quo and Trend of Documentaries Chapter 5 Chinese Documentary Film of 2017 5.1 Status Quo and Trend 5.2 Case of the Year: Twenty-Two Chapter 6 International Communication of Chinese Documentaries in 2017 6.1 Contents and Modes of Expression 6.2 Communication Platforms and Their Effects 6.3 The Trends of International Communication Chapter 7 Overview of Documentaries over the World in 2017 7.1 Production of Documentaries under Different Systems 7.2 The Era of Online Videos Has Come 7.3 Global Themes A Brief Summary Epilogue