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简介：Through readings of works by Marivaux, Diderot, Rousseau, and Mary Shelley, David Marshall provides a new interpretation of the eighteenth-century preoccupation with theatricality and sympathy. Sympathy is seen not as an instance of sensibility or natural benevolence but rather as an aesthetic and epistemological problem that must be understood in relation to the problem of theatricality. Placing novels in the context of eighteenth-century writing about theater, fiction, and painting, Marshall argues that an unusual variety of authors and texts were concerned with the possibility of entering into someone else's thoughts and feelings. He shows how key eighteenth-century works reflect on the problem of how to move, touch, and secure the sympathy of readers and beholders in the realm of both "art" and "life." Marshall discusses the demands placed upon novels to achieve certain effects, the ambivalence of writers and readers about those effects, and the ways in which these texts can be read as philosophical meditations on the differences and analogies between the experiences of reading a novel, watching a play, beholding a painting, and witnessing the spectacle of someone suffering. The Surprising Effects of Sympathy traces the interaction of sympathy and theater and the artistic and philosophical problems that these terms represent in dialogues about aesthetics, moral philosophy, epistemology, psychology, autobiography, the novel, and society.

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简介："Evolutionary biologist and paleontologist Stephen Jay Gould has perfected the art of the essay in this brilliant new collection. These thirty-four essays, most originally published in Natural History magazine, exemplify the keen insight with which Dr. Gould observes the natural world and convey the infectious enthusiasm for fossils and evolutionary theory that has made his books award-winning, national best-sellers." "In his latest musings on evolution and other natural phenomena, Gould reveals the uncanny interconnections among distinctly human creations - museums, literature, music, politics, and culture - encompassing a delightfully, wide range of topics, from giant fossils, fads, and fungus to baseball, beeswax, and blaauwbocks, from a humanistic look at Mary Shelley鈥檚 Frankenstein and Erasmus Darwin鈥檚 poetry to the fallacies of eugenics and creationism and the moral imperatives of thinking people to meet the ethical challenges that pseudo-science presents."--BOOK JACKET.

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简介：Summary: Publisher Summary 1 British readers of the eighteenth and early nineteenth centuries eagerly consumed books of travel in an age of imperial expansion that was also the formative period of modern aesthetics. Beauty, sublimity, sensuous surfaces, and scenic views became conventions of travel writing as Britons applied familiar terms to unfamiliar places around the globe. The social logic of aesthetics, argues Elizabeth Bohls, constructed women, the labouring classes, and non-Europeans as foils against which to define the 'man of taste' as an educated, property-owning gentleman. Women writers from Mary Wortley Montagu to Mary Shelley resisted this exclusion from gentlemanly privilege, and their writings re-examine and question aesthetic conventions such as the concept of disinterested contemplation, subtly but insistently exposing its vested interests. Bohls' study expands our awareness of women's intellectual presence in Romantic literature, and suggests Romanticism's sources at the peripheries of empire rather than at its centre.   Publisher Summary 2 This study re-examines the genre of Romantic travel writing through the perspective of women writers.  

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简介：Summary: Publisher Summary 1 The literary importance of letters did not end with the demise of the eighteenth-century epistolary novel. In the turbulent period between 1789 and 1830, the letter was used as a vehicle for political rather than sentimental expression. Against a background of severe political censorship, seditious Corresponding Societies, and the rise of the modern Post Office, letters as they are used by Romantic writers, especially women, become the vehicle for a distinctly political, often disruptive force. Mary Favret's study of Romantic correspondence reexamines traditional accounts of epistolary writing, and redefines the letter as a 'feminine' genre. The book deals not only with letters which circulated in the novels of Austen or Mary Shelley, but also with political pamphlets, incendiary letters and spy letters available for public consumption.   Publisher Summary 2 This study of correspondence in the Romantic period calls into question the common notion that letters are a particularly 'romantic', personal, and ultimately feminine form of writing.  

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简介：Summary: Publisher Summary 1 The first sustained investigation of Romantic literature in relation to colonial politics.   Publisher Summary 2 This volume examines Romantic literary discourse in relation to colonial politics and the peoples and places with which the British were increasingly coming into contact. It investigates topics from slavery to tropical disease, religion and commodity production, in a wide range of writers from Edmund Burke to Hannah More, William Blake to Phyllis Wheatley, Olaudah Equiano to Mary Shelley, Thomas Clarkson to Lord Byron. Together, the essays constitute a broad assessment of Romanticism's engagement with India, Africa, the West Indies, South America and the Middle East.  

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简介：An illustrated collection of essays and fiction about robots, written by Mary Shelley, Edgar Allan Poe, Arthur C. Clarke, Carl Sagan, Pierre Boulle, Lester del Ray, and others.

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简介：Summary: Publisher Summary 1 Integrates two new developments in British Romantic studies--the recovery of women Romantic writers and the revaluation of gender politics in Gothic fiction. Hoeveler (English and Women's Studies, Marquette U.) argues that a female-created literary ideology arose as the Gothic novel helped create a new social role of professional victim for women adjusting to the new bourgeois order. She examines how representations of both men and women in these novels moved from the purely psychosexual into social and political representations, and how the writers of these novels constructed a series of ideologies that would allow their female characters fictitious mastery over an oppressive social and political system. The novelists whose work is studied include Charlotte Smith, Ann Radcliffe, Jane Austen, Charlotte Dacre Byrne, Mary Shelley, and the Bronte sisters. Annotation c. by Book News, Inc., Portland, Or.  

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简介：Populism, Gender, and Sympathy in the Romantic Novel is a richly historicized account that explores anxieties about crowds, fiction and disguise, women authors, and unstable gender roles. James P. Carson argues that the Romantic novel is a form individualizing in its address, which exploits popular materials and stretches formal boundaries in an attempt to come to terms with the masses. Informed by Bakhtin, Foucault, and Freud, this book offers fresh new readings of works by Sir Walter Scott, William Godwin, Matthew Lewis, Charles Robert Maturin, and Mary Shelley.聽 聽

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简介：      在线阅读本书          With an Introduction and Notes by Dr Pamela Bickley, The Godolphin and Latymer School, formerly of Royal Holloway, University of London The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature. Mary Wollstonecraft Shelley (1797-1851) was the only daughter of Mary Wollstonecraft, author of Vindication of the Rights of Woman, and the radical philosopher William Godwin. Her mother died ten days after her birth and the young child was educated through contact with her father's intellectual circle and her own reading. She met Percy Bysshe Shelley in 1812; they eloped in July 1814. In the summer of 1816 she began her first and most famous novel, Frankenstein. Three of her children died in early infancy and in 1822 her husband was drowned. Mary returned to England with her surviving son and wrote novels, short stories and accounts of her travels; she was the first editor of P.B.Shelley's poetry and verse.

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简介：Includes works by the following authors: Julian of Norwich/Margery Kempe/Queen Elizabeth I/Mary Sidney Herbert/Amelia Lanier/Anne Bradstreet/Margaret Cavendish/Jane Lead/Katherine Philips/ Mary Rowlandson/Aphra Behn/Lady Mary Chudleigh/Anne Killigrew/Anne Finch/Mary Astell/Lady Mary Wortley Montagu/Charlotte Smith/ Fanny Burney/ Phillis Wheatley/ Mary Wollstonecraft/Maria Edgeworth/ Dorothy Wordsworth/Jane Austen/Rebecca Cox Jackson/Mary Shelley/Sojourner Truth/Elizabeth Barrett Browning/Margaret Fuller/ Elizabeth Cleghorn Gaskell/Harriet Beecher Stowe/Elizabeth Cady Stanton/Charlotte Bronte/ Emily Bronte/Linda Brent/ George Eliot/Florence Nightingale/Elizabeth Drew Stoddard/Frances E. W. Harper/Harriet E. Adams/Emily Dickinson/Christina Rossetti/Rebecca Harding Davis/Louisa May Alcott/Alice Meyness/Alice James/Sarah Orne Jewett/ Kate Chopin/ Mary E. Wilkins Freeman/ Lady Augusta Gregory/Olive Schreiner/ Charlotte Perkins Gilman/ Mary Elizabeth Coleridge/Edith Wharton/ May Sinclair/Charlotte Mew/Henry Handel Richardson/Ellen Glasgow/ Willa Cather/Dorothy Richardson/Amy Lowell/Gertrude Stein/Alice Dunbar-Nelson/Anna Hampstead Branch/Virginia Woolf/Susan Glaspell/ Katharine Susannah Prichard/ Anna Wickham/Elinor Wylie/Esak Dinesen/Anzia Yezierska/ Radclyffe Hall/ H. D.(Hilda

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简介：     Morrissey is arguably the greatest disturbance popular music has ever known. Even more than the choreographed carelessness of punk and the hyperbolic gestures of glam rock and the New Romantics, Morrissey's early bookish ineptitude, his celebration of the ordinary, and his subversive endorsement of celibacy, abstinence and rock `n' roll revolutionized the world of British pop. As an increasingly pugnacious solo artist, too, he consistently adopts the outsider's perspective and dares us to confront genuinely uncomfortable subjects. In his brilliant and original book, Gavin Hopps examines the work of this compelling performer, whose intelligence, humour, suffering and awkwardness have fascinated audiences around the world for the last 25 years.     Hopps traces the trajectory of Morrissey's career - from its beginning in the early 80s with the Smiths to the release of his latest album Ringleader of the Tormentors- and outlines the contours and contradictions of the singer's elusive persona. The book illuminates Morrissey's coyness (how can he remain a mystery when he tells us too much?), his dramatized melancholy (surely more of a radical existential protest than the gimmick some believe it to be), and his complex attitudes towards loneliness and alienation, as well as his intriguing sense of the religious.          In the course of this penetrating study of Morrissey's oeuvre, Hopps offers close readings of individual lyrics and illuminating comparisons with a range of literary figures - such as Lord Byron, Mary Shelley, George Eliot, Christina Rossetti, Oscar Wilde, Samuel Beckett, Paul Celan and Philip Larkin. Morrissey: The Pageant of His Bleeding Heart, at once erudite and accessible, argues convincingly for Morrissey's inclusion in the pantheon of literary greats.

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简介：Includes essays, poems, and short stories by Langston Hughes, William Stafford, Peter Elbow, Annie Dillard, Stephen King, Tim O'Brien, Amy Tan, Theodore Roethke, Ted Hughes, Wallace Stevens, Pete Hamill, Richard Wright, Margaret Atwood, Elizabeth Bowen, Jorge Luis Borges, Denise Levertov, Samuel Taylor Coleridge, Philip Levine, Lewis Carroll, Stephen Jay Gould, bell hooks, Maya Angelou, Patricia Hampl, Alice Walker, Judith Ortiz Cofer, Eavan Boland, Nikki Giovanni, Joseph Campbell, Carl Jung, Leslie Marmon Silko, John Updike, Thomas Bulfinch, Bruno Bettelheim, The Brothers Grimm, Idries Shah, W.S. Merwin, Franklin Galvin and Ernest Hartmann, Mary Shelley, Cynthia Ozick, William Styron, Charlotte Perkins Gilman, John Cheever, Edgar Allan Poe, Plato, Sigmund Freud, Virginia Woolf, Maxine Hong Kingston, Julius Lester, Scott Russell Sanders, Gloria Naylor, Ernest Hemingway, Pablo Neruda, Chitra Divakaruni, Marie-Luise Von Franz, Hans Christian Andersen, Robert Louis Stevenson, Shelby Steele, Fran Peavey, Stephen Dunn, Anthony Pratkanis and Elliot Aronson, George Orwell, Terry McMillan, L. Frank Baum, Gary Soto, Louise Erdrich, Gish Jen, Umberto Eco, William Blake, Cathy Song, Black Elk, Martin Luther King Jr., Terry Tempest Williams, Linda Hogan, and E.M. Forster.

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简介：    Book Description     Tor Classics are affordably-priced editions designed to attract the young reader. Original dynamic cover art enthusiastically represents the excitement of each story. Appropriate "reader friendly" type sizes have been chosen for each title—offering clear, accurate, and readable text. All editions are complete and unabridged, and feature Introductions and Afterwords.          This edition of Frankenstein includes a Foreword, Biographical Note, and Afterword by Keith Neilson.          When obsessed university student Victor Frankenstein finds the secret of animating dead flesh, he tries to create the first of a master race, stitching rotting corpses into a superhuman giant. Then the ghastly thing opens its hideous, soulless eyes and Frankenstein flees into the night, shrieking with horror--          Leaving a being who wants love and finds hate, wants friends and finds enemies, wants another and finds no one. Frankenstein is its father, mother, maker and living god, and Frankenstein has abandonded his own monster to a living hell of unutterable isolation. But now, unstoppable, the creature means to get revenge for having been born--          Not by killing its creator...but by destroying everything holds dear, and everyone Frankenstein loves...          Amazon.com     Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelg?nger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.          From School Library Journal     Grade 9 Up-Full-color drawings, photographs, and reproductions with extended captions have been added to the unedited text of Shelley's novel, thus placing the work in the context of the era in which it was written. The artwork faithfully represents the text and makes this edition appealing to reluctant readers. Unfortunately, many of the captions provide tangential information that, although interesting, interrupts the flow of the story. However, readers will quickly learn that it is not necessary to read every caption and appreciate this volume for its many quality illustrations.     Michele Snyder, Chappaqua Public Library, NY          From Booklist     Part of the Whole Story series, this is the full text of Mary Shelley's classic gothic story, which was first published in 1818 and has been a wild success ever since. Philippe Munch's illustrations have none of the power of Barry Moser's unforgettable woodcuts that evoke the loneliness of the grotesque outsider (in the Pennyroyal edition published by the University of California Press in 1984). The design here is crowded, and the type is small. However, the many period prints and maps in color and in black and white, with long, detailed captions, do provide the historical setting for the story, its geography, customs, and ideas. Teens enthralled by pop versions of the myth as well as science fiction fans will be interested in going back to the full version of what has been called the first science fiction novel and learning about the circumstances under which it was written by a woman, just 18 years old, 170 years ago.     Hazel Rochman          From AudioFile     With so many poor adaptations of Mary Shelley's classic work in all forms of media, it's refreshing to come across a production that retains the quality, premise, and themes of the original book. As the title and principal character, Dr. Frankenstein has an affected voice that suits his tragically ambitious character. The supporting cast works well in a full range of emotions. The script and vocal characterizations de-emphasize Shelley's vision of an intelligent and cunning monster, but this is a quibble. This production is a boon for students new to the book, teachers looking for supplemental classroom materials, and fans of classic literature. A.F.          From the Back Cover     Mary Shelley's Frankenstein is one of the masterpieces of nineteenth-century Gothicism. While stay-ing in the Swiss Alps in 1816 with her lover Percy Shelley, Lord Byron, and others, Mary, then eighteen, began to concoct the story of Dr. Victor Frankenstein and the monster he brings to life by electricity. Written in a time of great personal tragedy, it is a subversive and morbid story warning against the dehumanization of art and the corrupting influence of science. Packed with allusions and literary references, it is also one of the best thrillers ever written. Frankenstein; Or, the Modern Prometheus was an instant bestseller on publication in 1818. The prototype of the science fiction novel, it has spawned countless imitations and adaptations but retains its original power.          This Modern Library edition includes a new Introduction by Wendy Steiner, the chair of the English department at the University of Pennsylvania and author of The Scandal of Pleasure.          Mary Shelley was born Mary Wollstonecraft Godwin in 1797 in London. She eloped to France with Shelley, whom she married in 1816. After Frankenstein, she wrote several novels, including Valperga and Falkner, and edited editions of the poetry of Shelley, who had died in 1822. Mary Shelley died in London in 1851.          About Author     Marilyn Butler is King Edward VII Professor of English Literature at King's College, Cambridge. She is the author of Romantics, Rebels, and Reactionaries (1981) and co-editor of Pickering's Works of Mary Wollstonecraft (1989). She has also edited Mary Shelley's The last Man, published in World's Classics in 1994. .          Book Dimension:     length: (cm)17.5 width:(cm) 11

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简介：The desire to know the body is a powerful dynamic of storytelling in all its forms. Peter Brooks argues that modern narrative is intent on uncovering the body in order to expose a truth that must be written in the flesh. In a book that ranges widely through literature and painting, Brooks shows how the imagination strives to bring the body into language and to write stories on the body. From Rousseau, Balzac, Mary Shelley, and Flaubert, to George Eliot, Zola, Henry James, and Marguerite Duras, from Manet and Gauguin to Mapplethorpe, writers and artists have returned in fascination to the body, the inescapable other of the spirit. Brooks's deep understanding of psychoanalysis informs his demonstration of how the "epistemophilic urge"--the desire to know-guides fictional plots and our reading of them. It is the sexual body that furnishes the building blocks of symbolization, eventually of language itself-which then takes us away from the body. Yet mind and language need to recover the body, as an other realm that is primary to their very definition. Brooks shows how and why the female body has become the field upon which the aspirations, anxieties, and contradictions of a whole society are played out. And he suggests how writers and artists have found in the woman's body the dynamic principle of their storytelling, its motor force. This major book entertains and teaches: Brooks presumes no special knowledge on the part of his readers. His account proceeds chronologically from Rousseau in the eighteenth century forward to contemporary artists and writers. Body Work gives us a set of analytical tools and ideas-primarily from psychoanalysis, narrative and film studies, and feminist theory-that enable us to read modern narrative afresh.

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简介：What happens when Man plays God? Mary Shelley's Frankenstein, a dark parable of science misused was an immediate success on its publication in 1818. Determined to prove he can create life out of nothing, Victor Frankenstein, a brilliant but arrogant scientist, builds a human out of dead flesh. Horrified by his own creation, he abandons the creature?with deadly consequences. Alone, unloved, and hideous to behold, Frankenstein’s monster seeks vengeance on his creator, unleashing a cycle of destruction that ultimately consumes them both. In 1831, Mary Shelley succumbed to conservative pressure and toned down the more radical elements of the work. This edition features the novel in its original, unexpurgated form. The world's greatest works of literature are now available in these beautiful keepsake volumes. Bound in real cloth, and featuring gilt edges and ribbon markers, these beautifully produced books are a wonderful way to build a handsome library of classic literature. These are the essential novels that belong in every home. They'll transport readers to imaginary worlds and provide excitement, entertainment, and enlightenment for years to come. All of these novels feature attractive illustrations and have an unequalled period feel that will grace the library, the bedside table or bureau.

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简介：Dr. Frankenstein learns the secret of imparting life to inanimate matter. To test his theories, he collects bones from the charnel-houses to construct a "human" being, and then gives it life. The creature, endowed with supernatural size and strength, is revolting to look at, and frightens all who see it. Lonely and miserable, it comes to hate its creator. The monster murders Frankenstein's brother and his bride, and flees. The doctor pursues his creation in order to destroy it, but dies himself in the attempt. The story of Frankenstein was first written as a ghost story to be told as part of a contest between Mary Shelley, her husband, and Lord Byron. This tale of terror has been a world favorite since it was first published in 1818, and has been made into countless movies.

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简介：This study argues against vague interpretations of fantasy as mere escapism and seeks to define it as a distinct kind of narrative. A general theoretical section introduces recent work on fantasy, notably Tzventan Todorov's The Fantastic: A Structural Approach to a Literary Genre (1973). Dr Jackson, however, extends Todorov's ideas to include aspects of psychoanalytical theory. Seeing fantasy as primarily an expression of unconscious drives, she stresses the importance of the writings of Freud and subsequent theorists when analysing recurrent themes, such as doubling or multiplying selves, mirror images, metamorphosis and bodily disintegration.^l Gothic fiction, classic Victorian fantasies, the 'fantastic realism' of Dickens and Dostoevsky, tales by Mary Shelley, James Hogg, E.T.A. Hoffmann, George Eliot, Henry James, Joseph Conrad, R.L. Stevenson, Franz Kafka, Mervyn Peake and Thomas Pynchon are among the texts covered. Through a reading of thse frequently disquieting works, Dr Jackson moves towards a definition of fantasy expressing cultural unease. These issues are discussed in relation to a wide range of fantasies with varying images of desire and disenchantment.

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简介：　　Nearly two centuries ago， the eighteen- year-old English novelist， Mary Shelley created Frankenstein， in which she unfolded the tragic story between a Genevan scientist， Victor Frankenstein and the product of his failed scientific experiment: a hideous monster.

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简介：With its tantalizing reminders of Mary Shelley, Wilkie Collins, Arthur Conan Doyle, and Lewis Carroll, this is an up-todate nineteenth-century novel, informed by a thoroughly twentieth-century sensibility. Set in and around Glasgow and the Mediterranean in the early 1880s, it describes the love lives of two Scottish doctors and a twenty-five-year-old woman who has been created by one of them from human remains. A story of true love and scientific daring, it whirls the reader from the private operating rooms of late-Victorian Glasgow through aristocratic casinos, low-life Alexandria, and a Parisian bordello, reaching an interrupted climax in a Scottish church. It contains many unsanctified weddings, but hardly any perversions, and, as the Spectator put it, "an unexpected final twist doesn't make the novel seem trivial but, on the contrary, gives the vivid melodrama a retrospective gravity. You become aware that this odd book has been a great deal more than entertaining only on finishing it. Then your strongest desire is to start reading it again."

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简介："This collection of essays offers a more complete and complex picture of Mary Shelley, emphasizing the full range and significance of her writings in terms of her own era and ours. Mary Shelley in Her Times brings fresh insight to the life and work of an often neglected or misunderstood writer who, the editors remind us, spent nearly three decades at the center of England's literary world during the country's profound transition between the Romantic and Victorian eras."--BOOK JACKET.