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简介：Presents biographies, 50 electronic texts, audio and video files, interactive exercises, and scholarly essays for 28 authors: Sophocles; William Shakespeare; John Donne; William Wordsworth; Frederick Douglas; Edgar Allen Poe; Kate Chopin; Emily Dickinson; Robert Frost; James Joyce; Sylvia Plath; Walt Whitman; Flannery O'Connor; August Wilson; Tennessee Williams; Gwendolyn Brooks; Margaret Atwood; Anne Bradstreet; Nathaniel Hawthorne; Charlotte Perkins Gilman; Herman Melville; Langston Hughes; Susan Glaspell; Oscar Wilde; Franz Kafka; Henrik Ibsen; Rita Dove; and Mark Twain. Also includes a glossary, timeline, poetry mosaic, and anthology.

Distributed computing with IBM MQSeries

作者：  (美)[L.吉尔曼]Len Gilman，(美)[R.施赖伯]Richard Schreiber著;吴闻新等译

出版社：电子工业出版社,1998

简介：     MQSeries是由IBM公司开发的一项基于分布式计算机环境的中间件通信软件产品,适合于既复杂又困难的跨平台连接应用。本书着重介绍MQSeries在不同商业领域中的实际应用以及相关的经验和教训,是有关MQSeries的一本高级读物。全书共分为三部分,第一部分介绍消息传递与排队技术以及MQ产品,同时探讨了在研究有关方案时遇到的主要问题;第二部分介绍案例分析;第三部分先概括了从案例分析中获得的经验和教训,然后讨论了产品的弱点,并为此提供了一此解决方案,最后描述了MQ的发展趋势以及作者对这种发展趋势的见解。     随书附带的光盘中含有一段介绍MQ基础知识的动画视频片断、两个用于演示该软件如何实现分布式应用的模拟示例。另外,还包括一份MQSeries Link for Notes的拷贝和来自IBM的MQ白皮书。     本书内容充实,可供MQSeries高级使用者阅读,对企业决策人和欲了解MQSeries的读者同样具有参考价值。

爷爷一定有办法

作者：  菲比·吉尔曼(Phoebe Gilman)文·图;宋珮译

出版社：明天出版社,2008

简介：《爷爷一定有办法》讲的是约瑟从小就和爷爷建立起深厚的感情。他相信爷爷一定有办法把旧东西变成新的东西。荣获加拿大克力斯堤先生书奖、露丝?史瓦兹奖及维琪?麦卡夫奖的《爷爷一定有办法》原本是一个流传已久的民间故事，作者用重复而富有节奏和文字来重述，既温馨又朗朗上口。图画则细腻地描绘出充满浓厚人情味的小镇和约瑟的家庭，不管是人们丰富的表情、家具、物品，都非常生动、传神。画面下方的老鼠家庭更带来额外的阅读乐趣。 点击链接进入英文版： Something from Nothing

Smoke:a global history of smoking

作者：  (英)桑德尔·吉尔曼(Sander L. Gilman)，周迅等著;汪方挺[等]译

出版社：九州出版社,2008

简介：“不管你是忠实的烟民还是维护公众健康的卫士，这本关于吸烟史的画册都会令你着迷。”　　——澳大利亚《时代报》　　“这是一本精美的书，就如同一盒香烟一样，让人沉浸在吸烟的乐趣中”　　——英国《星期日邮报》　　“吸烟是学术界和普通百姓共同关注的话题。本书包罗万象，可读性强，书中大量精美的插图亦是对现代印刷艺术的礼赞……”　　——《悉尼先驱晨报》　　“尽管反吸烟主义盛行，但作为一种文化标签，一种表达浪漫和反叛、内省和欢乐的重要手段，吸烟不会从我们身边消失。”　　——诺亚·艾森伯《银幕中的香烟；从魏玛到好莱坞》　　本书由全球三十余位作者共同写就，这些作者分别来自人类学、历史学、美术史、艺术史、医学史等各个领域，他们以通俗而生动的方式，为读者描述了吸烟的起源、传播及其与历史文化、文学艺术、种族、性别等因素的互动过程，并就吸烟的生理学等焦点问题进行了科学的分析，对人类吸烟的历史作了深刻的文化解读。因此，本书既是一部吸烟史，更是一部文化史。

Manter and Gatz’s essentials of clinical neuroanatomy and neurophysiology

作者：  (美)斯德·吉尔曼(Sid Gilman)，(美)萨拉·温纳斯·纽曼(Sarah Winans Newman)著;孙玉衡译

出版社：北京医科大学出版社,2000

简介： 本书讲了神经解剖、神经生理，神经科临床的新进展，神经科的各种检查，包括CT、核磁共振(MRI)、单光子放射计算机断层扫描(SPECT)等。

Goodman＆Gilman’s manual of pharmacology and therapeutics

作者：  Laurence L. Brunton，Keith L. Parker主编;刘惠，金满文主译

出版社：科学出版社,2009

简介：　　 本手册承袭了《Goodman & Gilman治疗学的药理学基础》第11版的全 　　部特点，共分为15篇，65章，在有限的篇幅内巧妙地兼顾了知识的先进性 　　、系统性和完整性。本书采用了最权威的药物分类方法，对重点药物的药 　　效学、药动学、作用机制、临床应用和不良反应的描述繁简得当。本书各 　　章节审慎地吸纳了药理学、治疗学及相关学科的最新成果，及时地介绍了 　　各权威学术机构针对相关疾病制订或修订的最新治疗指南和用药原则，选 　　择性地推荐了美国FDA批准的部分新药或药物的新用途。 　　 本书适合医学和药学专业的本科生与研究生使用，也可作为临床医师 　　、药师和其他相关专业人员的参考读物。 　　

Encyclopedia of political economy

作者：  菲利普·安东尼·奥哈拉(Phillip Anthony O’Hara)主编;郭庆旺等译

出版社：中国人民大学出版社,2009

简介：　　《政治经济学百科全书》大约包括450个词条，按照a-z的体例编排。20个a-z序列构成了《百科全书》的基本框架（全部序列参见“如何使用《百科全书》”一节）。这些序列分为三种类型：（1）制度领域，包括公司、家庭、金融体制、劳资关系、国家和世界资本主义经济；（2）专题，包括不稳定增长、发展、人类学、环境、种族、思想史和方法论，以及政治纲领和意识形态（3）思想流派，全书的范围主要限于政治经济学中的演化主义、女权主义、制度主义、马克思主义、后凯恩斯主义、社会政治经济学和斯拉法主义。. 　　 在本书中主要有三类文章： 　　 （1）概念、原理、理论或问题，如路径依赖、贫困、通货膨胀、最小错位、劳动力后备军和种族主义。.. 　　 （2）政治经济学的一般领域，如货币、信贷和金融的当代主要议题、制度政治经济学的当代主要议题、经济周期理论、世界经济中的区域经济一体化。 　　 有些词条是这两类内容的混合物。 　　 （3）政治经济学的主要人物。我们所包括的人物，都是某个思想流派的创始人（marx、veblen、gilman、keynes、schumpeter和sraffa），在一些词条中也介绍了其他重要人物。...

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简介："Reflecting emerging research and ongoing reassessments of social theory, The Wiley-Blackwell Companion to Major Social Theorists offers significant updates and revisions to the original Blackwell Companion published a decade ago. Volume I: Major Classical Theorists presents 18 comprehensive essays on social theorists writing in the classical tradition, more than half all-new for this Companion, written by some of the most eminent contemporary scholars in their field. In addition to detailing the make-up and development of specific social theories, each essay places the theorist and their ideas in personal, social, and historical context; and integrates the most current scholarship to offer assessments as to their continuing relevance. Well-known theorists such as Comte, Spencer, Marx, Durkheim, Weber, Simmel, Mead, Schutz, and Parsons are represented, as well as theorists historically excluded from the sociological canon, including Ibn Khaldun, Martineau, Gilman, and Du Bois. Other essays consider a set of classical theorists chosen for their particular relevance to contemporary theory: de Tocqueville on democracy, Schumpeter on capitalism, Mannheim on the sociology of knowledge, Veblen on consumer society, and Adorno on cultural theory. Edited by one of the most renowned figures in social theory, the Wiley-Blackwell Companion is an indispensable resource and reference to the life and times of the classical thinkers and their relevance to modern theorists and today's social world"--

她乡

作者：  [美]夏绿蒂·柏金斯·吉尔曼(Charlotte Perkins Gilman)著;林淑琴译

出版社：辽宁教育出版社,2003

简介：“半热带。看起来是一流的气候。一点高度就能改变气温，实在奇妙。”泰利正在研究森林的成长。 “一点高度!你称这个为一点?”我问。我们的仪器测量得很清楚，但我们没有察觉可能是从海岸悠长升起的缓坡。 “我称这为超级幸运的一块土地。”泰利继续说。“现在来看看这些人啦——我看够风景了。” 所以，我们降低飞行高度，来回穿梭，沿途解析这个国家，仔细探看。我们看见——我不记得我们当时记下多少，或是后来的知识补充的，但即使在那兴奋的一天里，我们还是见识了许多——一块块垦殖完美的土地，连森林看起来都像有人照顾；一块土地好像硕大公园，其实更像一座硕大的花园。 “我没看见牛群。”我提出，但泰利沉默不语。我们正接近一座村庄。 我承认我们对铺设良好、干净的道路、吸引人的建筑、小镇整齐划一的美丽都不太在意。我们拿出望远镜。泰利即使设定回转滑行，都还抓着望远镜紧贴着眼睛。 她们听到我们嗡嗡的旋转，跑出屋子——从四面八方的田野涌来，脚步轻快的人影，成群结队。我们瞪了又瞪，差一点来不及抓紧控制杆，滑溜出去。往上攀爬了好一阵子，我们都不敢出声。 “天啊!”过了一会儿，泰利才开口。 “那里只有女人——和小孩!”杰夫兴奋得很。 “但是，她们看起来——啊!这是个文呀进化的国家啊!”我抗议。“一定有男人的。” “当然有男人。”泰利说。“走吧，我们去找他们。” 杰夫建议我们在冒险留下机器之前，先不要进一步探查这个国家，泰利拒绝接受。 “我们来的地方有一块很好的降落地点。”他坚持，而且是绝佳的地点——宽广平坦的岩石，俯瞰湖面，离国境内部相当遥远。 “她们匆促之间不会发现这个的。”他依然坚持。我们经过极端困难的挣扎才安全降落。“走吧!哥儿们——那一堆里有一些貌美的。” 当然我们很不智。 事后回想，很容易看出我们应该事先更完整地研究那个国家，才留下快速的飞机，只信任自己的脚力。但我们不过是三个年轻人，谈论这个国家已经谈论了一年多，几乎不相信有这种地方，而现在——我们却身在其中。 地方看起来够安全够文明。那些仰望结集的脸庞上，虽然有些惊吓，但有些分外美丽——这点我们都不置可否。 “走吧!”泰利大叫，拼命向前。“哈!上路啦!走向她乡啦!” 三、奇特的囚禁 宛如从死亡一样幽深的睡眠中，我像一个健康的小孩缓缓醒来，精神百倍。 宛如从深浩温暖的海洋往上升起又升起，越来越靠近灿烂的光芒和翻腾的空气，又宛如从脑震荡后回复神志似的。有一次找到荒僻的山区，被马摔下来。这事情才发生过不久，我仍能清楚记得恢复知觉时的心理经验，好像掀起梦境的层层薄纱。 当我开始隐约听到周围的人声，看见广袤的山脉莹莹的雪峰，以为这一切都会过去，很快就发现自己身在家里。 这个苏醒的经验正是如此：天旋地转的影像、家的记忆、汽船、小船、飞机、森林，如潮水般消退，一一相随，消散无踪，直到我的眼睛大张，头脑清醒，明白发生的事情。 最不凡的感觉是肢体上绝对的舒适。我躺在一张完美的床上，宽宽长长的，舒适宜人，软的扎实平坦，铺着绝佳的床单枕套，温暖的薄毯，还有赏心悦目的床罩。床单掀开大约十五英寸，即使我在床尾伸展脚跟，床单长度还是可以暖和地盖到脚跟。 我觉得好像白羽毛一样轻盈洁净。费了一些时间才意识到手脚的位置，鲜活地体会生命从苏醒过来的中枢扩散到四肢末端的感觉。 房间很大，高挑宽敞，许多高拔的窗户，拉上的窗帘筛入绿意轻柔的空气。真是美丽的房间，比例、颜色、简朴，恰到好处。 外面花园，百花盛开，阵阵飘香。 我静静地躺着，颇为快乐，颇为清醒，然而尚未完全明白周遭的动静，直到听到泰利说话。 “天啊!”正是他的话。 我转过头。这个房间摆着三张床，还很宽敞。 泰利坐起身子，四处环看，跟平常一样机警。他的声音虽然不大，但也吵醒杰夫。我们都坐起来。 泰利双腿跳下床站起来，用力地伸直身子。他穿了一身长袍睡衣，没有缝隙的衣服，无疑的很舒服——我们都如此穿着。鞋子放在每张床边，也很舒服，很美观，虽然和我们的完全不同。 我们寻找自己的衣服——不在那里，口袋里放的各色什物也不见踪影。 一扇门半掩，通往最迷人的浴室，里面大方地摆着毛巾、肥皂、镜子，诸如此类给人方便、使人舒适的物品，还有我们自己的牙刷、梳子、记事本，还有我们的表，谢天谢地——不过没有衣服。 然后，我们又搜寻了一次这个大房间，找到一个通风的大衣橱，里面很多衣服，但都不是我们的。 “战略委员会！泰利说。“回到床上去——反正这些床还不错。好，讲究科学精神的朋友，我们冷静、不要动气的想想自己的情况。” 他指的是我，但杰夫好像颇为所动。 “她们一点儿都没伤害我们，阿!”他说。“她们大可以杀了我们——或——或怎么的——我这辈子从没有感觉这么好过。” “这说明了她们都是女人。”我建议，“而且高度文明。你知道上一次混战，你打了一个人——我听到她大叫出声——我们又扭又踢的。” 泰利对我们微笑。“你们明白这些女士对我们做了些什么吗?”他愉快的询问。“她们拿走我们所有的东西，所有的衣服——不留一针一线。我们被剥得精光，洗过澡，放在床上睡觉，像无数满周岁的娃娃——全都出自这些高度文明的女人之手。” 杰夫真的面红耳赤，他拥有如诗的想像力。泰利也有足够的想像力，但属于另外一种。我也有，也不一样。我总是褒扬自己具有科学的想像力，我刚好认为这是最崇高的一种。我想每 个人都自以为是，一旦发现有些事实的依据，就有权利自大一下——当然是暗自得意。 “哥儿们，拳打脚踢是没有用的。”我说。“我们是她们的瓮中之鳖，显然她们也绝对无害。跟任何落难的英雄一样，剩下来的就靠我们自己想出逃生计划啦!同时，我们不得不穿这些衣服——别无选择。” 衣服简单到了极点，穿起来绝对舒服。当然我们都觉得像剧院里跑龙套的。穿在底层，过膝盖肩连身的长衫，轻薄柔软，好像一些人的连身睡衣。某种半长的袜筒穿到膝盖下面，顶端 有松紧带绑着袜筒边缘。 上面是比较厚的连衫裤，衣橱里有很多，各种不同的厚度，布料比较耐实，显然也可以应付眼前所需。还有及膝的背心和一些长袍。不用多说，我们拿了背心。 我们洗完澡，颇为愉快地穿上衣服。 我向来以自己的国家为自傲。每个人都如此。和其他我所知道的国家和种族比较，美利坚合众国对我而言，谦虚的说来，好像和最杰出的一样优秀。 但就像一个眼睛澄澈、聪明诚实、善意的小孩经常冒出无邪的问题戳伤一个人的自尊一样，这些女人也是如此，没有丝毫恶意或嘲讽，不断提出我们拼命避免的问题。 现在我们已经相当能够掌握她们的语言，读了很多她们的历史，也给了她们我们的历史大纲，她们可以进一步逼近问题。 所以，当杰夫承认我们“赚取薪资的女人”的人口后，她们立刻问整个人口数，成年女人的比例，结果发现成年妇女至多只有两千万左右的女人在外工作。 “那么，至少有三分之一的女人是——你们称她们什么来着——赚取薪资的人?而且她们都很贫穷。贫穷到底是什么呢?” “就贫穷来说，敝国的情况是世界上最好的。”泰利告诉她们。“我敢保证我们没有古老国家那种境遇凄惨的流浪者和乞丐。欧洲的访客说我们不知道什么是真正的贫穷。” “我们也不知道。”扎娃回答。“请你们告诉我们吧!” 泰利说我是社会学家，把问题推给我。我解释说自然的定律，需要斗争才能生存，在斗争的过程中，适者才能生存，不适者淘汰。我继续说在我们的经济斗争里，适者总是有很多机会爬到顶点，事实也是如此，而且人数众多，尤其是在我们的国家一旦有严重的经济压力时，最低阶级的人受到的打击最深，在最穷困的人口中，女人出于需要，被迫加入劳动市场。 她们仔细聆听，一如平常地做笔记。 “那么，大约有三分之一的人属于最贫穷的阶级。”毛黛严肃地推论。“三分之二的是那些——你们刚才是怎么形容的那么美的?——‘是被爱，被崇拜，被荣耀的，留在家里照顾孩子的。’我猜这些处于劣势的三分之一没有小孩啰?” 杰夫——变得跟她们一样坏——郑重地回答说，正好相反，她们越穷就越多孩子。他解释说，那也是自然的定律：“生育人数越多，个人独立的特质也就越少。” “这些‘自然定律’。”扎娃轻声问，“是你们仅有的法则吗?” “才不是!”泰利抗议。“我们的法律系统可以追溯到几千几万年前——无疑就像你们的一样。”他礼貌的结束。 ……

Goodman and Gilman's the pharmacological basis of therapeutics 8th ed.

作者：  Alfred Goodman Gilman...[et al.]

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简介：Summary: Publisher Summary 1 Taking as its point of departure recent insights about the performative nature of genre, The Poetics and Politics of the American Gothic challenges the critical tendency to accept at face value that gothic literature is mainly about fear. Instead, Agnieszka Soltysik Monnet argues that the American Gothic, and gothic literature in general, is also about judgment: how to judge and what happens when judgment is confronted with situations that defy its limits. Poe, Hawthorne, Melville, Gilman, and James all shared a concern with the political and ideological debates of their time, but tended to approach these debates indirectly. Thus, Monnet suggests, while slavery and race are not the explicit subject matter of antebellum works by Poe and Hawthorne, they nevertheless permeate it through suggestive analogies and tacit references. Similarly, Melville, Gilman, and James use the gothic to explore the categories of gender and sexuality that were being renegotiated during the latter half of the century. Focusing on "The Fall of the House of Usher," The Marble Faun, Pierre, The Turn of the Screw, and "The Yellow Wallpaper," Monnet brings to bear minor texts by the same authors that further enrich her innovative readings of these canonical works. At the same time, her study persuasively argues that the Gothic's endurance and ubiquity are in large part related to its being uniquely adapted to rehearse questions about judgment and justice that continue to fascinate and disturb.   Publisher Summary 2 While many critics have argued the American gothic literary genre is primarily about the pleasure of fear, Monnet (American literature, U. of Lausanne, Switzerland) suggests that American gothic is primarily about the pleasures of (often ambiguous) judgment. In other words, American gothic engages with the problems of judgment when there is the lack of a shared paradigm. Furthermore, this engagement with judgment is often simultaneously an indirect intervention into major political issues of the day. Having defined the genre thusly, Monnet engages with the works of canonical literary authors as American gothic, partly in order to demonstrate the value of bringing genre studies to bear on well known and often studied works. She discusses the ways Edgar Allan Poe's short stories demonstrate his interest in ethical issues, particularly focusing on the "The Fall of the House of Usher" as resonant of anxieties about slave revolt. She reads Nathaniel Hawthorne's The Marble Faun as concerned with the ethical crisis posed by slavery wherein the physical movement of a dark travel narrative becomes a trope for the operations of denial. Herman Melville's Pierre is read as "a masterpiece of epistemological and moral skepticism," an exploration of "the nexus of shame, secrecy, and epistemological issues related to socially prohibited forms of desire," and one of America's earliest queer texts. Finally, she compares Henry James's The Turn of the Screw to Charlotte Perkins Gilman's "The Yellow Wall-Paper" through explorations of issues of female madness and queer complicities. Annotation 漏2010 Book News, Inc., Portland, OR (booknews.com)  

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简介：Includes short stories, poems, plays, and essays by Nathaniel Hawthorne, Stephen Crane, James Joyce, Ernest Hemingway, Frank O'Connor, Flannery O'Connor, Toni Cade Bambara, Sandra Cisneros, William Blake, William Wordsworth, John Keats, Robert Browning, Emily Dickinson, Thomas Hardy, Gerard Manley Hopkins, A.E. Housman, William Butler Yeats, Robert Frost, Robert Graves, Stevie Smith, Countee Cullen, Dylan Thomas, Lawrence Ferlinghetti, Philip Larkin, Anthony Hecht, Peter Meinke, Robert Mezey, June Jordan, Bruce Bennett, Deborah Pope, Molly Peacock, Katherine McAlpine, Jill Bialosky, Nick Flynn, Sophocles, Tennessee Williams, Langston Hughes, Joan Didion, Judith Ortiz Cofer, Herman Melville, Franz Kafka, James Thurber, Richard Wright, Shirley Jackson, Ursula K. LeGuin, Harlan Ellison, Amy Tan, Tennyson, Edwin Arlington Robinson, Wallace Stevens, Claude McKay, Bertolt Brecht, W.H. Auden, Muriel Rukeyser, Richard Wilbur, Denise Levertov, Philip Levine, Marge Piercy, Stephen Dunn, Rober t Pinsky, Nikki Giovanni, Carolyn Forche, Henrik Ibsen, August Wilson, Jonathan Swift, Thomas Jefferson, Emma Goldman, Martin Luther King Jr., William Faulkner, James Baldwin, Chinua Achebe, Bharati Mukherjee, Alice Walker, Barry Lopez, Jamaica Kincaid, Louise Erdrich, Paul Laurence Dunbar, Amy Lowell, Ezra Pound, T.S. Eliot, E.E. Cummings, Anne Sexton, Etheridge Knight, Yevgeny Yevtushenko, Wole Soyinka, Linda Hogan, Taslima Nasrin, Arthur Miller, Lorraine Hansberry, Athol Fugard, Virginia Woolf, Zora Neale Hurston, George Orwell, Maya Angelou, Kate Chopin, Charlotte Perkins Gilman, Irwin Shaw, Alice Munro, Raymond Carver, Joyce Carol Oates, Sappho, Shakespeare, Thomas Campion, John Donne, Edmund Waller, Andrew Marvell, Robert Burns, Walt Whitman, Matthew Arnold, Edna St. Vincent Millay, Dorothy Parker, Theodore Roethke, Elizabeth Bishop, May Sarton, Robert Hayden, Anthony Hecht, Adrienne Rich, Sylvia Plath, Audre Lord, Lucille Clifton, Seamus Heaney, Billy Collins, Sharon Olds, Gary Soto, Susan Glaspell, Erich Fromm, Maxine Hong Kingston, Edgar Allan Poe, Leo Tolstoy, D.H. Lawrence, Katherine Anne Porter, Bernard Malamud, Bessie Head, Tim O'Brien, Leslie Marmon Silko, Percy Bysshe Shelley, Antonio Machado, Wilfred Owen, Pablo Neruda, Dylan Thomas, Philip Larkin, Maxine Kumin, Mary Oliver, Samuel Beckett, Woody Allen, Harvey Fierstein, Mark Twain, Jessica Mitford, and others.

The Yellow wallpaper and other writings /

作者：  by Charlotte Perkins Gilman ; with an introduction by Lynne Sharon Schwartz.

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简介： 在线阅读本书 Known primarily for her classic and haunting story "The Yellow Wallpaper," Charlotte Perkins Gilman was an enormously influential American feminist and sociologist. Her early-twentieth-century writings continue to inspire writers and activists today. This collection includes selections from both her fiction and nonfiction work. In addition to the title story, there are seven short stories collected here that combine humor, anger, and startling vision to suggest how women's "place" in society should be changed to benefit all. The nonfiction selections are from Gilman's The Man-Made World: Our Androcentric Cultureand her masterpiece, Women And Economics, which was translated into seven languages and established her international reputation as a theorist. Also included in a delightful excerpt from Gilman's utopian novel,Herland, an acidly funny tale about three American male explorers who stumble into an all-female society and begin their odyssey by insisting, "This is a civilized country . . . there must be men." Gilman's analyses of economic and women's issues are as incisive and relevant today as they were upon their original publication. This volume is an unprecedented opportunity to rediscover a powerful American writer.

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简介：Autobiographical selections by Jane Addams, Edith Wharton, Charlotte Perkins Gilman, Ellen Glasgow, Mary Antin, Florida Scott-Maxwell, Louise Bogan, Dorothy Day, Zora Neale Hurston, M.F.K. Fisher, Eudora Welty, Hortense Calisher, Kate Simon, Lillian Hellman, Tillie Olsen, May Sarton, Mary McCarthy, Madeleine L'Engle, Mary Lee Settle, Eileen Simpson, Denise Levertov, Ann Cornelisen, Maureen Howard, Maya Angelou, Mary Mebane, Shirley Abbott, Barbara Grizzuti Harrison, Vivian Gornick, Audre Lorde, Kate Millett, Joyce Johnson, Joan Didion, Jane O'Reilly, Lucille Clifton, Bebe Moore Campbell, Annie Dillard, Mary Crow Dog, Diane Glancy, Nancy Mairs, bell hooks, Nikki Giovanni, Patricia Hampl, Natalie Kusz, Beverly Donofrio, Maxine Hong Kingston, Jeanne Wakatsuki Houston, Jamaica Kincaid, Sandra Cisneros, Dorothy Allison, Lorene Cary.

Writing Women and Woman Writing in Nineteenth-Century America

作者：  金莉著

出版社：外语教学与研究出版社,2004

简介：　　本专著试图沿着美国社会发展和时代变迁的轨迹，展示19世纪美国小说的重要组成部分——女性小说——从其鼎盛时期的19世纪50年代至世纪末的嬗变，探讨美国女性作家与作品、美国女性小说与美国小说、美国女性与美国社会之间的关系。 　　前言 　　第一章 导论 　　第二章 社会抗议小说 　　哈里叶特·比彻·斯托(Harriet Beecher Stowe, 1811-1896) 　　哈里叶特·雅各布斯(Harriet Jacobs, 1813-?) 　　第三章 家庭小说 　　E.D.E.N. 索恩沃斯(E.D.E.N. Southworth, 1819-1899) 　　苏姗·沃纳(Susan Warner, 1819-1888) 　　范妮·弗恩(Fanny Fern, 1811-1872) 　　奥古斯塔·简·埃文斯·威尔逊(Augusta Jane Evans Wilson, 1835-1900) 　　路易莎·梅·奥尔科特(Louisa May Alcott, 1832-1888) 　　第四章 区域小说 　　萨拉·奥恩·朱厄特(Sarah Orne Jewett, 1849-1909) 　　玛丽·埃莉诺·威尔金斯·弗里曼(Mary Eleanor Wilkins Freeman, 1852-1930) 　　第五章 新女性小说 　　夏洛特·帕金斯·吉尔曼(Charlotte Perkins Gilman, 1860-1935) 　　凯特·肖班(Kate Choping, 1851-1904) 　　十九世纪美国女性小说研究主要参考书目 　　十九世纪美国社会与女性文学大事年表 　　后记　　

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简介：Charlotte Perkins Gilman was America's leading feminist intellectual of the early twentieth century. The Yellow Wallpaper and Other Storiesmakes available the fullest selection ever printed of her short fiction, featuring the pioneering feminist masterpiece of the title, her stories contemporary with The Yellow Wallpaper, the fiction from her neglected California period (1890-95), and her later explorations of "the woman of fifty." Together, these impressive works throw new light on Gilman as a writer of fiction. About the Series:For over 100 years Oxford World's Classicshas made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

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简介：Summary: Publisher Summary 1 Presents a comparative analysis of the themes and genres found in the short fiction of these three turn-of-the-century woman authors.   Publisher Summary 2 A wide range of short fiction by Kate Chopin, Edith Wharton and Charlotte Perkins Gilman is the focus for this study, examining both genre and theme. Chopin's short stories, Wharton's novellas, Chopin's frankly erotic writing and the homilies in which Gilman warns of the dangers of the sexually transmitted disease are compared. There are also essays on ethnicity in the work of Chopin, Wharton's New England stories, Gilman's innovative use of genre and "The Yellow Wallpaper" on film. This paperback edition includes a new Preface to the material, providing a useful update on recent scholarship on these three popular writers.  

Dixie Loves School Pet Day迪克斯爱校园宠物日ISBN9780061719110

作者：  Gilman

出版社：HarperCollins 2011年09月

简介：
Emma’s class is having Pet Day, where everyone can bring their favorite furry friends from home. Dixie couldn’t be more excited. She tries her hardest to sit still, but there are potential new friends all over the classroom, and Dixie can’t wait to meet them! Beginning readers will adore this easy to follow story where Dixie’s loveable antics are sure to induce laught
【媒体评论】
?BASED ON THE SUCCESSFUL PICTURE BOOK —The Dixie I Can Read series is based upon the adored character from Emma Jackson’s picture book, A Home For Dixie. ?A NEW FAVORITE CHARACTER —Dixie Loves School Pet Day is the second book in the Dixie I Can Read series, with another story for Dixie lovers to enjoy. ?EVERYBODY LOVES A PLAYFUL PUP —From Biscuit to Harry the Dirty Dog to Marley, I Can Read dog stories sell. ?ART THAT DRAWS YOU IN —Sarah McConnell’s warm, quirky art brings Dixie and Emma to life for young read

Making women's history : the essential Mary Ritter Beard / 1st Feminist Press ed.

作者：  edited and with a new preface by Ann J. Lane.

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简介：Mary Ritter Beard was the single most important advocate and practioner of women's history…She virtually invented the field, said historian and professor Barbara Sicherman of this visionary and ground-breaking historian who devoted her life to reconstructing women's past-a past that had remained largely unstudied, undocumented, and unacknowledged. Beard held a firm conviction that women had a far greater impact on history than male historians had ever recognized and she believed that a knowledge of their own history would enable women to realize their full potential as active members of society. With this essential-and accessible-selection from her writings and speeches, Ann J. Lane restores Beard to her well-deserved place at the core of early-twentieth-century feminist history and theory. Mary Ritter Beard (1876-1958) was co-author, with Charles Beard, of The Rise of American Civilization and author of many other books. Ann J. Laneis professor of history and director of women's studies at the University of Virginia and is author of To Herland and Beyond: The Life and Work of Charlotte Perkins Gilman.

Goodman & Gilman's the pharmacological basis of therapeutics / 10th ed.

作者：  editors, Joel G. Hardman, Lee E. Limbird ; consulting editor, Alfred Goodman Gilman.

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简介：本书英文版由美国McGraw-Hill公司出版，世界著名药理学家J.G.Hardman等编著；第10版为其最新版，由我国著名药理学家金有豫教授组织翻译。全书介绍了治疗临床各种疾病的药物，如神经精神性、血液性、炎症性、肿瘤性、免疫性、内分泌性疾病以及各系统重要器官疾病等，包括药物代谢、药效、药理作用机制、临床应用原则、临床实验研究、毒副作用监测等方面。