Domus. XII, 1995-1999 /

作者：  eds., Charlotte & Peter Fiell ; introduction by Luigi Spinelli ; essay by Fulvio Irace.

出版社：

简介：     Domus" presents its "Volume XII - 1995-1999". This series features the quintessential works of modernism. For eight decades, "domus" has been hailed as the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, the magazine's central agenda has always remained that of creating a privileged insight toward identifying the style of a particular age, from Art Deco, Modern Movement, Functionalism and Postwar to Pop, Postmodernism and Late Modern. Beautifully designed and comprehensively documented, page after page "domus" presents some of the most exciting design and architecture projects from around the world. Each of the 12 volumes in Taschen's "domus" reprint collection reproduces a selection of the magazine's pages as they originally appeared, and is packed with articles that bring to light the incredible history of modern design and architecture. Available as separate volumes covering the period of 1928-1999, this series is a major publishing achievement and an important must-have for all design and architecture teaching institutions, practicing architects, designers, collectors, students, and anyone who loves design. This title covers the years 1995-1999 that brings the 20th century to a close. Even towards the end of the 20th century, 70 years after its initial appearance, the magazine "domus" never lost any of its timeliness. It remained the leading forum internationally for the avant-garde of contemporary architecture and design. The original concept of the Italian architect and designer Gio Ponti - to unite international architecture, interior decoration, living and industrial design in one magazine - had proved effective. This volume features the newest buildings of the late 1990s by Mario Botta, Arata Isozaki, Josef Paul Kleihues, Richard Meier, Gunther Domenig, Herzog & Meuron, Frank O. Gehry, Peter Zumthor, Daniel Libeskind and many others. Design is represented by names like Philippe Starck, Ross Lovegrove, Jonathan Ive, Alberto Meda, Paolo Rizzatto, Perry A. King, and Santiago Miranda.     作者简介:     Charlotte J. and Peter M. Fiell run a design consultancy in London. They have lectured widely, curated a number of exhibitions, and written numerous articles and books on design, including TASCHEN's 1000 Lights, 1000 Chairs, Design of the 20th Century, Industrial Design A-Z, Scandinavian Design, Graphic Design for the 21st Century, Designing the 21st Century, and domus 1928-1999.

Domus. X, 1985-1989 /

作者：  eds., Charlotte & Peter Fiell ; introduction by Luigi Spinelli ; essay by Fulvio Irace.

出版社：

简介：     "Domus" presents its "Volume XI - 1990-1994". This series features the quintessential works of modernism. For eight decades, "domus" has been hailed as the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, the magazine's central agenda has always remained that of creating a privileged insight toward identifying the style of a particular age, from Art Deco, Modern Movement, Functionalism and Postwar to Pop, Postmodernism and Late Modern. Beautifully designed and comprehensively documented, page after page "domus" presents some of the most exciting design and architecture projects from around the world. Each of the 12 volumes in Taschen's "domus" reprint collection reproduces a selection of the magazine's pages as they originally appeared, and is packed with articles that bring to light the incredible history of modern design and architecture. Available as separate volumes covering the period of 1928-1999, this series is a major publishing achievement and an important must-have for all design and architecture teaching institutions, practicing architects, designers, collectors, students, and anyone who loves design. This title covers the years 1985-1989 - the eighties in full force. The many styles of architecture and design that became prominent in the second half of the 1980s are the focus of this volume. Along with Postmodernism - represented by buildings, interior decoration, and designs by Peter Shire, Richard Meier, Gustav Peichl, Ricardo Bofill, Ettore Sottsass, Arata Isozaki, and the Arquitectonica firm - it was the buildings of the High-Tech Style which dominated. The most prominent examples are the Head Office of the Hong Kong & Shanghai Banking Corporation in Hong Kong, designed by the architectural firm Foster Associates, and the Lloyds Building by Richard Rogers in London. At the same time, the tendencies of contemporary avant-garde architecture were clarified by the designs by Daniel Libeskind in Berlin. In the field of product design, furniture and lamp designs by Alberto Meda and Philippe Starck were published in "domus" for the first time.

Domus. XI, 1990-1994 /

作者：  eds., Charlotte & Peter Fiell ; introduction by Luigi Spinelli ; essay by Fulvio Irace.

出版社：

简介：     Domus" presents its "Volume XI - 1990-1994". This series features the quintessential works of modernism. For eight decades, "domus" has been hailed as the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, the magazine's central agenda has always remained that of creating a privileged insight toward identifying the style of a particular age, from Art Deco, Modern Movement, Functionalism and Postwar to Pop, Postmodernism and Late Modern. Beautifully designed and comprehensively documented, page after page "domus" presents some of the most exciting design and architecture projects from around the world. Each of the 12 volumes in Taschen's "domus" reprint collection reproduces a selection of the magazine's pages as they originally appeared, and is packed with articles that bring to light the incredible history of modern design and architecture. Available as separate volumes covering the period of 1928-1999, this series is a major publishing achievement and an important must-have for all design and architecture teaching institutions, practicing architects, designers, collectors, students, and anyone who loves design. This title covers the years 1990-1994 - the next generation. The first half of the 1990s, this volume's focus, marked a shifting of the generations in architecture and design. "domus" - up to date as always - documented the work of this new generation with elaborate articles and reports. The architects Tadao Ando, Jean Nouvel, David Chipperfield, Philippe Starck, Rem Koolhaas, Peter Eisenman, Jacques Herzog, and Pierre de Meuron made their debuts in domus during this period. In addition, established architectural greats like Frank O. Gehry, Mario Bellini, Richard Meier, Renzo Piano, Norman Foster, Santiago Calatrava, and Zaha Hadid were also featured. In product design, Marc Newson, Rodney Kinsman, Jasper Morrison as well as the brothers Fernando and Humberto Campana appeared in the spotlight.     作者简介:     Charlotte J. and Peter M. Fiell run a design consultancy in London. They have lectured widely, curated a number of exhibitions, and written numerous articles and books on design, including TASCHEN's 1000 Lights, 1000 Chairs, Design of the 20th Century, Industrial Design A-Z, Scandinavian Design, Graphic Design for the 21st Century, Designing the 21st Century, and domus 1928-1999.

1000 lights : 1960 to present /

作者：  eds., Charlotte & Peter Fiell.

出版社：

简介：　　Designed to be a companion to the classic title 1000 Chairs, this two-volume edition contains an awesome selection of over 1200 lights. Presented chronologically by decade are history's most interesting electric lights, from Edison's first light bulb to Tiffany's beautiful leaded glass shades to completely outrageous designs from the late 1960s and 1970s to the latest high-tech LED lamps. All major styles will be represented: Arts and Crafts, Art Nouveau, Art Deco, Modern Movement, De Stijl, Postwar, Pop, Radical, Post-Modern and Contemporary　　

Domus. IX, 1980-1984 /

作者：  eds., Charlotte & Peter Fiell ; introduction by Luigi Spinelli ; essay by Fulvio Irace.

出版社：

简介：     Product Description     This title provides the quintessential works of Modernism. For eight decades, "Domus" has been hailed as the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, the magazine's central agenda has always remained that of creating a privileged insight toward identifying the style of a particular age, from Art Deco, Modern Movement, Functionalism and Postwar to Pop, Postmodernism and Late Modern. Beautifully designed and comprehensively documented, page after page "Domus" presents some of the most exciting design and architecture projects from around the world. Each of the 12 volumes in TASCHEN's "Domus" reprint collection reproduces a selection of the magazine's pages as they originally appeared, and is packed with articles that bring to light the incredible history of modern design and architecture. Available as separate volumes covering the period of 1928-1999, this series is a major publishing achievement and an important must-have for all design and architecture teaching institutions, practicing architects, designers, collectors, students, and anyone who loves design. It also covers the period of 1980-1984: postmodern preoccupations. This volume revisits the early 1980s, a time of Postmodernism. Italian design groups Alchimia and Memphis, led by Alessandro Mendini, Andrea Branzi, Michele de Lucchi, and Ettore Sottsass, questioned radically and provocatively the ostensible functionality of design objects. Everyday items were reinterpreted, full of relish and fantasy. Ironic redesigns of historic design classics put their role and contemporary use into question. Within the field of architecture, these new ideas found a counterpart in buildings by Hans Hollein, Michael Graves, Studio Nizzoli, and the offices of Venturi, Rauch & Scott Brown. At the same time, the first deconstructivist tendencies were recognizable in the designs of Zaha Hadid.     作者简介:     Charlotte and Peter Fiell run a design consultancy in London specializing in the sale, acquisition, study and promotion of design artifacts. They have lectured widely, curated a number of exhibitions, and written numerous articles and books on design and designers, including Taschen's 1000 Lights, 1000 Chairs, Design of the 20th Century, Industrial Design A-Z, Designing the 21st Century, and Scandinavian Design.

Domus. VII, 1970-1974 /

作者：  eds., Charlotte & Peter Fiell ; introduction by Luigi Spinelli ; essay by Fulvio Irace.

出版社：

简介：     "Domus" has been hailed as the world's most influential architecture and design journal. Articles that bring to light the incredible history of modern design and architecture are also included.

Domus. VIII, 1975-1979 /

作者：  eds., Charlotte & Peter Fiell ; introduction by Luigi Spinelli ; essay by Fulvio Irace.

出版社：

简介：     This title provides the quintessential works of Modernism. For eight decades, "Domus" has been hailed as the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, the magazine's central agenda has always remained that of creating a privileged insight toward identifying the style of a particular age, from Art Deco, Modern Movement, Functionalism and Postwar to Pop, Postmodernism and Late Modern. Beautifully designed and comprehensively documented, page after page "Domus" presents some of the most exciting design and architecture projects from around the world. Each of the 12 volumes in TASCHEN's "Domus" reprint collection reproduces a selection of the magazine's pages as they originally appeared, and is packed with articles that bring to light the incredible history of modern design and architecture. Available as separate volumes covering the period of 1928-1999, this series is a major publishing achievement and an important must-have for all design and architecture teaching institutions, practicing architects, designers, collectors, students, and anyone who loves design. It also covers the period of 1975 - 1979: first signs of ecological awareness. This volume covers the second half of the 1970s, an era marked by the oil crisis and the related global economic crisis. For the first time, architecture and design dealt with alternative resources, ecological building methods, and recyclable materials. Nevertheless synthetics remained present in many fields, especially in interior design. Examples of projects featured are the postmodern and lightflooded buildings by Richard Meier, the modernistic buildings by Foster Associates, the Centre Georges Pompidou by Renzo Piano and Richard Rogers, and the buildings of the Japanese architects Arata Isozaki and Kisho Kurakawa. The industrial design of modern transport systems, office machines, and electrical appliances is also highlighted.