Peau Noire, Masques Blancs

作者：  (法)弗朗兹·法农(Frantz Fanon)著;万冰译

出版社：译林出版社,2005

简介：法国海外省的“法国人”,特别是“安的列斯人”,就法律意义而言是法国公民,他们鄙视法属非洲的黑人,而作为有色人,他们在面对白人时,内心又存在着自卑感。他们在潜意识中承认白人的优越地位,以白人的价值观来衡量自己的一切。本书就是从他们的这种精神迷惘和由此导致的精神痛苦入手,揭露长期的殖民统治在已经是法国公民的有色人的心理上留下的伤痛。

Les Damnes de La Terre

作者：  (法)弗朗兹·法农(Frantz Fanon)著;万冰译

出版社：译林出版社,2005

简介：本书是法国思想家、精神病医生弗朗兹·法农在生命最后时期的著作。作为阿尔及利亚革命的战士和鼓动者，法农从社会经济政治状况、人的生理和心理等方面，揭露欧洲人对第三世界的长期的殖民统治对于非洲社会结构的深远影响，对非洲人民生理和心理的伤害和摧残，从而指出，第三世界的人民在进行反殖民化斗争中和获得独立之后将面临着一系列的社会问题和经济问题，独立并不意味着真正的解放和自由，非洲人民争取真正的自由解放的斗争还非常艰巨。这本在四十年前秘密出版的政治小册子在当时产生巨大的影响；今天，非洲、拉丁美洲诸多获得独立的前殖民地国家出现的难以解决的社会问题、经济问题，和由此必然造成的对前宗主国的依赖等等，更是证明了这本书的不朽的预见性。

Regional public goods:from theory to practice

作者：  (西)安东尼·埃斯特瓦多道尔(Antoni Estevadeordal)，(美)布莱恩·弗朗兹(Brian Frantz)，(美)谭·罗伯特·阮(Tam Robert Nguyen)著;张建新，黄河，杨国庆等译

出版社：上海人民出版社,2010

简介：本书是以“区域性公共产品与区域发展援助”会议为基础编撰完成的。本次会议的目标是批判性地审视管理跨国发展挑战的方式，特别是在正和负的快速外溢（spillovers）具有空前潜力的领域。知名学者、政策制定者、公民社会代表和发展工作者们聚集在一起做了如下工作：（1）就在区域层面的公共产品供给以及公共产品供给怎样才能促进援助的有效性重启讨论和建设性对话；（2）在援助与发展的语境下更加有效地理解国内、区域性和全球性公共产品供给之间的概念边界；（3）提供能够清晰反映区域发展援助所能支持的公共产品供给的实际项目经验。

权力与占卜

作者：  法国汉学

出版社：中华书局 2016年12月

简介：

　　《法国汉学（第十七辑）》分为三个部分： 西欧王国与中华帝国的城市与宫廷社会（12—18世纪）、 古希腊与古代中国的占卜和知识的生成以及葛乐耐（Frantz Grenet）教授在法兰西学院（Collège de France）的就职演讲：《重新瞩目中亚》。

X efficiency:Theory,evidence and applications

作者：  (美)弗朗茨(Frantz,Roger S.)著;费方域等译

出版社：上海译文出版社,1993

简介：    本书对微观经济学中的厂商理论提出了不同见解， 揭示了企业“黑箱”内部存在的一种X低效率及其根源。

简易单簧管二重奏曲集

作者：  科斯特·普斯克伊 关璐　著

出版社：吉林出版集团有限责任公司 2014年05月

简介：欢乐颂（Ode to Joe）安迪蒂（AntiTi）咏叹调（Air）船歌（Barcarolle）苏珊娜（Oh，Susanna）茉莉花的绿叶（The Green Leaf of the Jasmine）我说再见（I say Adieu）小的歌曲（Little Song）伏尔加船夫曲（The Volga Boatmen’S Song）慢的（Slowly）加沃特（Gavotte）滑稽表演（Burlesque）固定音（Ostinato）绿袖子（Greensleeves）摩尔达维亚舞蹈（Dance from Moldavia）孩子们的歌（Children’S Song）加沃特（Gavotte）因为我们是快乐的（Because we are cheerful）我必须得走（Musz I Denn）蒂里同巴（Tiribomba）进行曲（March）回旋曲（Rondino）山鹰（E1 Condor Pasa）铃鼓舞（Tamboufin）彩色袜子（Colored Socks）加洛帕（Galoppa，Galoppa）普世欢腾（Joy to the woru）对话（Dialogue）匈牙利舞曲（Hungarian Dance）问候（Greeting）风流寡妇圓舞曲（Merry Widow Waltz）卡辛博（E1 Cacimbo）帕凡舞曲（Pavane）耶拉齐娜（Yerakina）高原的节日（E1 Humahuqueno）天鹅湖主题曲（Theme from “Swan Lake”）欢庆（Rejoicing）贝多芬（Ludwig vail Beethoven）科斯特·普斯科尤（Costel Puscoiu）莫扎特（Wolfgang Amadeus Mozart）科斯特·普斯科尤（Costel Puscoiu）美国民歌（American Folk Sonff〕罗马尼亚民歌（Romanian Folk Song）荷兰民歌（Old Dutch Song）科斯特·普斯科尤（Costel Puscoiu）俄罗斯民歌（Russian Folk Song）科斯特·普斯科尤（Costel Puscoiu）亨德尔（George Friedrich Handel）莫扎特（Leopold Mozart）科斯特·普斯科尤（Costel Puscoiu）英国民歌（Old English Song）罗马尼亚民歌（Romanian Folk Song）保加利亚民歌（Bulgarian Folk Song）亨德尔（George Friedrich Handel）瓦蓝迪·拉特格伯（Valentin Rathgeber）德国民歌（German Folk Song）意大利民歌（Italian Folk Song）亨德尔（George Friedrich H andel）简·飞利浦·拉模（Jean Plilippe Rameau）玻利维亚民歌（Bolivian·Folk Song）简·飞利浦·拉模（Jean Plilippe Rameau）马其顿民歌（Macedonian Folk Song）智利民歌（Chilian Folk Song）亨德尔（George Friedrich Handel）科斯特·普斯科尤（Costel Puscoiu）约翰斯·勃拉姆斯（Johannes Brahms）科斯特·普斯科尤（Costel Puscoiu）弗朗斯·雷奥（Frantz Lehar）智利民歌（Chilian Folk Song）加布里埃尔·福莱（Gabrid Faure）希腊民歌（Grecian Folk Song）玻利维亚民歌（Bolivian Folk S0nQ）柴可夫斯基斯基（Pete Ilici Tchaikovsky）亨德尔（George Friedrich Handel） 

Sid the Science Kid: The Trouble with Germs 科学小子希德：微生物大麻烦ISBN9780061852589

作者：  Frantz

出版社：HarperCollins 2010年03月

简介：

　　When Sid’s dad catches a cold, Sid has to be careful not toget sick too. But why does Sid need to wash his hands all the time?And what are germs, anyway? With a little investigating at home andat school, Sid is ready to get to the bottom of THE TROUBLE WITHGERMS

NEW SHOW ON PBS SID THE SCIENCE KID is featured in PBS’Preschool Block and airs on nearly 100% of PBS stations. Sid airsbefore Super Why and Clifford, and follow Curious George - the #1rated preschool show. PBS has committed to stripping the series fortwo years. PHENOMENAL LAUNCH In its September 2008 debut, Sid theScience Kid tied for #1 among Moms with Kids under 3, with a 1.7rating. The series also received a 3.5 kids 2-5 rating, ranking asthe 12th highest-rated week-day show in the US with kids 2/5.Common Sense Media chose Sid the Science Kid as the best 2008 TVseries for kids age 4. PARTNERSHIP WITH HASBRO Hasbro is the masterlicensor for all SID THE SCIENCE KID toys and games! STRONG ONLINEPRESENCE Sid has his own web page on PBS’s main site! AMAZINGANIMATION A Henson Company production, SID THE SCIENCE KID utilizesdazzling animation technology, combining Henson’s proprietaryreal-time puppeteer performances with computer-generated animation.EVERYDAY INVESTIGATIONS Sid is a naturally curious boy who tacklesthe questions every kid wonders about, from how a juice box strawworks to why birds can fly without a pla

Sid the Science Kid: What's that Smell? 科学小子希德：什么味道？ISBN9780061852596

作者：  Frantz

出版社：HarperCollins 2010年04月

简介：

　　When Sid smells something funny coming from the other room, hejust has to know: why can you smell things from far away? With alittle investigating at home and at school, Sid is ready to learnall about the science of smelling.

NEW SHOW ON PBS SID THE SCIENCE KID is featured in PBS’Preschool Block and airs on nearly 100% of PBS stations. Sid airsbefore Super Why and Clifford, and follow Curious George - the #1rated preschool show. PBS has committed to stripping the series fortwo years. NOMINATED FOR TWO EMMYS SID THE SCIENCE KID has beennominated for two Daytime Emmy awards: Outstanding Children’sAnimated Program and Outstanding Achievement in Main Title &Graphic Design! Winners will be announced on August 30, 2009.PHENOMENAL LAUNCH In its September 2008 debut, Sid the Science Kidtied for #1 among Moms with Kids under 3, with a 1.7 rating. Theseries also received a 3.5 kids 2-5 rating, ranking as the 12thhighest-rated week-day show in the US with kids 2/5. Common SenseMedia chose Sid the Science Kid as the best 2008 TV series for kidsage 4. PARTNERSHIP WITH HASBRO Hasbro is the master licensor forall SID THE SCIENCE KID toys and games! STRONG ONLINE PRESENCE Sidhas his own web page on PBS’s main site! AMAZING ANIMATION A HensonCompany production, SID THE SCIENCE KID utilizes dazzling animationtechnology, combining Henson’s proprietary real-time puppeteerperformances with computer-generated animation. EVERYDAYINVESTIGATIONS Sid is a naturally curious boy who tackles thequestions every kid wonders about, from how a juice box straw worksto why birds can fly without a pl

变形金刚英语分级读物第二级1

作者：  （美）珍妮弗·弗朗茨（Jennifer Frantz）

出版社：外语教学与研究出版社 2016年05月

简介：“丽声英语阅读·变形金刚英语分级读物”是一套以变形金刚为主要角色的英语分级读物。多年来，变形金刚深受全世界孩子的喜爱，成为一代又一代人抹不去的童年记忆。“变形金刚英语分级读物第二级1”共精选了8个故事，希望能帮助孩子带着对变形金刚的喜爱，顺利踏入英语阅读之门！

Peau noire, masques blancs

作者：  (法)弗朗兹·法农(Frantz Fanon)著;陈瑞桦译

出版社：心灵工坊文化事业股份有限公司,2005

简介：

Damnes de la terre

作者：  佛朗兹·法农(Frantz Fanon)著;杨碧川译

出版社：心灵工坊文化事业股份有限公司,2009

简介： ◎聯合推薦：南方朔、孫大川、陳芳明、廖咸浩 法國存在主義哲學大師／沙特 《大地上的受苦者》是弗朗茲?法農的最後一本著作。早在《黑皮膚，白面具》一書中，法農便提出對於種族主義的反思，他認為種族主義並非偶發事件，亦非恣意妄為，而是一種宰制的文化體系，這種體系也在殖民地運作。若是不看清統治文化所帶來的壓迫效應與奴役現象，那麼對於種族主義的抗爭便是徒然，因為這種壓迫的觸角廣及社團、政治與文化，甚至也會影響個體的精神狀態。在全球化對弱勢地區已然形成新殖民剝削的今天，法農的諸多觀點，都能讓我們看清當前的許多現象，原是源自整個殖民主義／資本主義的淵藪。

Postcolonial Discourse

作者：  宋国诚著

出版社：擎松图书出版有限公司,2003

简介： 本書是作者一系列後殖民論述的第一部分，除了一篇後殖民理論的總論性概述之外，寫作範圍主要涉及法蘭茲．法農(Frantz Fanon)和愛德華．薩依德(Edward Said) 的作品和相關研究。就整體且範圍廣泛的後殖民理論來說，本書是後殖民研究的初始部分。由於論述精闢，獲思想大師南方朔為本書推薦。作者簡介宋國誠1957出生於台灣省台北縣。國立政治大學東亞研究所博士，美國哈佛大學研究(1999-2000)，加拿大多倫多大學研究（2002-2003）曾任政治大學哲學系副教授，政治大學民族系教授，政治大學國際關係研究中心研究員兼第四所所長，現任政大國際關係研究中心研究員。其主要研究領域為馬克思主義、後殖民主義、中共對台政策與兩岸關係、中國綜合國力、中國社會與政治發展、中國經濟體制改革、民族主義、全球化等。曾著有馬克思的人文主義、中國跨世紀綜合國力(公元1990-2020)、認識社會、20世紀中國(卷一、二）

作者：  

出版社：

简介：Anthology of key statements from a range of disciplines, including four editorial essays which place the readings in their theoretical and historical context. It is divided into three parts: "Cultures of the visual," "Regulating photographic meanings," and "Looking and subjectivity." Texts are: "The natural attitude," by Norman Bryson; "Rhetoric of the image," by Roland Barthes; "Art, common sense and photography," by Victor Burgin; "Myth today," by Roland Barthes; "Panopticism," by Michel Foucault; "The work of art in the age of mechanical reproduction," by Walter Benjamin; "The image-world," by Susan Sontag; "Separation perfected," by Guy Debord; "The bottom line on planet one: squaring up to The Face," by Dick Hebdige; "On the institutions of photography," by Simon Watney; "The social definition of photography," by Pierre Bourdieu; "Reading an archive: photography between labour and capital," by Allan Sekula; "Photography’s discursive spaces," by Rosalind Krauss; "The museum’s old, the library’s new subject," by Douglas Crimp; "Living with contradictions: critical practices in the age of supply-side aesthetics," by Abigail Solomon-Godeau; "Evidence, truth and order: a means of surveillance," by John Tagg; "Feeble monsters: making up disabled people," by Jessica Evans; "Marketing mass photography," by Don Slater; "Ideology and ideological state apparatuses (notes towards an investigation)," by Louis Althusser; "Fetishism," by Sigmund Freud; "The scoptophilic instinct and identification," by Otto Fenichel; "The subject," by Kaja Silverman; "Fantasia," by Elizabeth Cowie; "The other question: the stereotype and colonial discourse," by Homi K. Bhabha; "Visual pleasure and narrative cinema," by Laura Mulvey; "Desperately seeking difference," by Jackie Stacey; "White privilege and looking relations: race and gender in feminist film theory," by Jane Gaines; "Sexuality in the field of vision," by Jacqueline Rose; "The fact of blackness," by Frantz Fanon; "Alexander von HumboldtMauri ertikel:

The complete etudes

作者：  （波）肖邦（Chopin）作曲;牛牛钢琴演奏

出版社：九洲音像出版公司,2010

简介：商品描述《牛牛：肖邦练习曲全套·亲笔签名版》未满13岁的牛牛个人第2张钢琴专辑！2009年获全球最优秀的年轻艺术家奖！全球最年轻签约国际古典唱片品牌EMI Classics的钢琴家；全球最年轻录制《肖邦练习曲全套》的音乐家；中国国家大剧院/日本三得利音乐厅等国际知名音乐厅演出过的年龄最小的演奏家！四个月内成功在日本巡演八场。牛牛2010年全国巡演：5月29日贵阳、6月1日南京、6月5日重庆、7月10日深圳、7月11日广州、7月16日沈阳、 7月18日西安、7月28日上海、更多演出城市，敬请期待…… 1829至1839年，肖邦创作了27首钢琴练习曲。他在第一套的12首练习曲上题词：“致友人-弗兰兹·李斯特”，并将之作为第10号作品于1833年出版。而后肖邦继续作曲，1837年，其第25号作品出版了第二套的12首练习曲，他将此套练习曲献给李斯特的情人玛丽达古伯爵夫人。肖邦最后的练习曲是3首较短小的曲子，为莫舍莱斯和费蒂斯的《钢琴练习法》而作,1840年出版。 牛牛，本名张胜量，1997年7月11日生于中国福建省厦门市。其父张长峰为专业音乐教育工作者，张胜量得以在浓厚的音乐氛围中成长，并于三岁时即显示出音乐天赋，遂从其父开始钢琴的基础学习。牛牛五岁跟随集美大学音乐系教授叶晓初开始正规的钢琴专业学习，并在2003年8月在家乡厦门成功举办第一次钢琴独奏音乐会，在当地引起轰动。8岁以其在钢琴演奏上的突出才华被上海音乐学院附属小学破格免试录取，成为该院建院83年来录取的年纪最小的学生。过去9年来，牛牛接受了严格的钢琴专业训练，掌握了数量可观的演奏曲目，此外，还应邀参加了国内外一些重要的艺术节、音乐会演出。 2006年8月，他在英国伦敦Wigmore音乐厅举办了个人独奏音乐会。2007年11月1日，牛牛应邀在伦敦皇家节日音乐厅“The 2007 Pearl Awards”的颁奖音乐会上，担任由英国著名钢琴大师莱斯利·霍华德指挥的肖斯塔科维奇《C小调钢琴协奏曲》的钢琴演奏。英国王储查尔斯王子出席此次音乐会，并对牛牛的演奏给予极高评价。2007年，牛牛签约EMI（百代唱片公司），成为全球最年轻的签约国际古典品牌的专属钢琴家演奏家。2008年夏天，EMI发行他的个人首张专辑《牛牛-莫扎特作品 Niu Niu plays Mozart》。2008年12月，牛牛在北京国家大剧院举办个人钢琴独奏音乐会全国巡演的首场演出，成为国家大剧院年龄最小的演奏家。并随后在上海，广州，深圳，大连等地展开了一系列巡演。 2009年7月，牛牛的专辑在日本发行，并在东京召开了新片发布会。同年10月，牛牛在日本的第一次独奏音乐会在大阪和东京举办，音乐会场场满座。尤其在东京三得利音乐厅，门票在开票内3天全部售完，开创了年轻音乐家售票最快的新纪录，同时也成为该场地最小的演奏家。2009年10月2日，牛牛更远赴德国参加“Festival der Nationen”音乐节，与欧洲著名指挥家Justus Frantz合作。演出的成功使牛牛获得了“2009年度全球最优秀的年轻艺术家”奖项。2010年1月，牛牛录制了他的第二张专辑并展开了日本巡演（东京、大阪、扎幌、松本、名古屋和横滨），以支持即将发行的新专辑。此次巡演的观众超过1万人次。2010年5月，牛牛发行他的第二张专辑《肖邦全套练习曲》（包含Op10、Op25和三首新练习曲），成为全球录制该套曲目最年轻的钢琴家。 Etuden Etudes op，10 十二首练习曲，作品10 27:16 01 第一首练习曲-1C大调 1:56 02 第二首练习曲-2A小调 1:21 03 第三首练习曲-3E大调 3:44 04 第四首练习曲-4升C小调 1:54 05 第五首练习曲-5降G大调 1:42 06 第六首练习曲-6降E小调 3:48 07 第七首练习曲-7C大调 1:31 08 第八首练习曲-8F大调 2:22 09 第九首练习曲-9F小调 2:07 10 第十首练习曲-10降A大调 2:01 11 第十一首练习曲-11降E大调 2:15 12 第十二首练习曲-12C小调 2:27 Etuden Etudes op，25 十二首练习曲，作品25 30:40 01 第一首练习曲-1降A大谓 2:16 02 第二首练习曲-2F小调 1:18 03 第三首练习曲-3F大调 1:51 04 第四首练习曲-4A小调 1:44 05 第五首练习曲-5E小调 2:59 06 第六首练习曲-6升G小调 2:06 07 第七首练习曲-7升C小调 6:20 08 第八首练习曲-8降D大调 1:09 09 第九首练习曲-9降G大谓 0:57 10 第十首练习曲-10B小调 4:07 11 第十一首练习曲-11A小调 3:29 12 第十二首练习曲-12C小调 2:20 Trois Nouvelles Etudes，KKIIB/3 三首新练习曲，作品KKIIB/3 4:35 01 第一首练习曲-1F小调 1:55 02 第二首练习曲-2降A大调 1:15 03 第三首练习曲-3降D大调 1:24

Frantz Fanon: portrait

作者：  艾莉丝·薛尔齐(Alice Cherki)著;彭仁郁译

出版社：心灵工坊文化事业股份有限公司,2008

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简介："Frantz Fanon was one of the twentieth century's most important theorists of revolution, colonialism, and racial difference, and this, his masterwork, is a classic alongside Orientalism and The Autobiography of Malcolm X." "The Wretched of the Earth is an analysis of the psychology of the colonized and their path to liberation. Bearing singular insight into the rage of colonized peoples and the role of violence in historical change, the book also incisively attacks postindependence disenfranchisement of the masses by the elite on one hand, and intertribal and interfaith animosities on the other. A veritable handbook of social reorganization for leaders of emerging nations, The Wretched of the Earth has had a major impact on civil rights, anticolonialism, and black-consciousness movements around the world. This new translation updates its language for a new generation of readers and its lessons are more vital now than ever."--BOOK JACKET.

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简介：The Postcolonial Unconscious is a major attempt to reconstruct the whole field of postcolonial studies. In this magisterial and, at times, polemical study, Neil Lazarus argues that the key critical concepts that form the very foundation of the field need to be re-assessed and questioned. Drawing on a vast range of literary sources, Lazarus investigates works and authors from Latin America and the Caribbean, Africa and the Arab world, South, Southeast and East Asia, to reconsider them from a postcolonial perspective. Alongside this, he offers bold new readings of some of the most influential figures in the field: Fredric Jameson, Edward Said and Frantz Fanon. A tour de force of postcolonial studies, this book will set the agenda for the future, probing how the field has come to develop in the directions it has and why and how it can grow further.

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简介：Focusing on late nineteenth- and twentieth-century stories of detection, policing, and espionage by British and South Asian writers, Yumna Siddiqi presents an original and compelling exploration of the cultural anxieties created by imperialism. She suggests that while colonial writers use narratives of intrigue to endorse imperial rule, postcolonial writers turn the generic conventions and topography of the fiction of intrigue on its head, launching a critique of imperial power that makes the repressive and emancipatory impulses of postcolonial modernity visible. Siddiqi devotes the first part of her book to the colonial fiction of Arthur Conan Doyle and John Buchan, in which the British regime's preoccupation with maintaining power found its voice. The rationalization of difference, pronouncedly expressed through the genre's strategies of representation and narrative resolution, helped to reinforce domination and, in some cases, allay fears concerning the loss of colonial power. In the second part, Siddiqi argues that late twentieth-century South Asian writers also underscore the state's insecurities, but unlike British imperial writers, they take a critical view of the state's authoritarian tendencies. Such writers as Amitav Ghosh, Michael Ondaatje, Arundhati Roy, and Salman Rushdie use the conventions of detective and spy fiction in creative ways to explore the coercive actions of the postcolonial state and the power dynamics of a postcolonial New Empire. Drawing on the work of leading theorists of imperialism such as Edward Said, Frantz Fanon, and the Subaltern Studies historians, Siddiqi reveals how British writers express the anxious workings of a will to maintain imperial power in their writing. She also illuminates the ways South Asian writers portray the paradoxes of postcolonial modernity and trace the ruses and uses of reason in a world where the modern marks a horizon not only of hope but also of economic, military, and ecological disaster.

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简介：Shakespeare's The Tempest has long been claimed by colonials and postcolonial thinkers alike as the dramatic work that most enables them to confront their entangled history, recognized as early modernity's most extensive engagement with the vexing issues of colonialism--race, dispossession, language, European displacement and occupation, disregard for native culture. Tempest in the Caribbean reads some of the "classic" anticolonial texts--by Aime Cesaire, Roberto Fernandez Retamar, George Lamming, and Frantz Fanon, for instance--through the lens of feminist and queer analysis exemplified by the theoretical essays of Sylvia Wynter and the work of Michelle Cliff. Extending the Tempest plot, Goldberg considers recent works by Caribbean authors and social theorists, among them Patricia Powell, Jamaica Kincaid, and Hilton Als. These rewritings, he suggests, and the lived conditions to which they testify, present alternatives to the masculinist and heterosexual bias of the legacy that has been derived from The Tempest. By placing gender and sexuality at the center of the debate about the uses of Shakespeare for anticolonial purposes, Goldberg's work points to new possibilities that might be articulated through the nexus of race and sexuality. Place sexuality at the center of Caribbean responses to Shakespeare's play.

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简介：Summary: Publisher Summary 1 Olaudah Equiano, Jane Austin, Charlotte Brontd, Jean Rhys, Frantz Fanon, Toni Morrison, and Tsitsi Dengarembga are among the writers whose works Plasa (English, U. of Wales-Cardiff) examines, drawing attention to the larger networks of dialogue and contestation in which the texts are located. He finds that the crossings of identity, whether between black self and white other or white self and black other, emerge both as sites of political tension and spaces in which psychic and historical realities collide. Annotation c. Book News, Inc., Portland, OR (booknews.com)   Publisher Summary 2 This book explores questions of race and identification in writings from the Enlightenment to the present. Drawing on postcolonial theory, it provides close readings of texts by Olaudah Equiano, Jane Austen, Charlotte Bront毛, Jean Rhys, Frantz Fanon, Toni Morrison, and Tsitsi Dangarembga and highlights the elements of dialogue, exchange and contestation between them. It illustrates how inscriptions of racial crossing--whether between white and black or black and white--are always implicated in a certain textual and/or intertextual politics.   Publisher Summary 3 This book explores questions of race and identification in writings from the Enlightenment to the present. Drawing on postcolonial theory, it provides close readings of texts by Olaudah Equiano, Jane Austen, Charlotte Brontë, Jean Rhys, Frantz Fanon, Toni Morrison, and Tsitsi Dangarembga and highlights the elements of dialogue, exchange and contestation between them. It illustrates how inscriptions of racial crossing--whether between white and black or black and white--are always implicated in a certain textual and/or intertextual politics.