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出版社: 2006-10-1
简介:Frankenstein: A Kaplan SAT Score-Raising Classic features: *The complete tale of the classic novel, Frankenstein *More than 600 vocabulary words frequently tested on the SAT highlighted throughout the text *Definitions for each highlighted word on the facing page *A word-pronunciation guide *An index for easy reference
出版社:安徽科学技术出版社,2002
简介: 本书是世界上最早的科学幻想小说之一。主人公是一位从事生命科学研究的学者,力图用人工方法造出生命,经过探索终于造出一个秉性善良的怪物,后因那怪物提出种种非分要求,遭到拒绝后,开始向人类作恶,在搏斗中主人公与怪物同归于尽。
作者: (英)[M.雪莱]Mary Shelley著;(英)[P.诺贝斯]Patrick Nobes改写;杨学义译
出版社:外语教学与研究出版社[伦敦]:牛津大学出版社,1997
简介: “书虫”是牛津大学出版社奉献给世界英语学习者的一大精品。书虫在英语中大约是颇可爱的形象,试想想如痴如醉沉迷于书卷,孜孜不倦咀嚼着字母的那一只书虫…… 如今这只“书虫”漂洋过海,轻盈地落在了中国英语学习者的掌中。“书虫”将首先给你以自信,即使你目前只有几百词汇,却可以不太费劲地阅览世界名作了。书虫还会用它细细的鸣叫声不停提醒着你:要坚持不懈地读下去,要广泛而丰富地读下去。待到你读完丛书系列中的最后一本,也许会突然发现:你已如蛹变蝶飞一样,振翅欲翔了! 或许以这个悲伤而恐怖的故事拍成的电影林比世界上由任何其他故事拍成的电影都要多。为什么有这么多的人喜欢它?因为当我们第一次读到它时,它就好像是出自我们梦中的记忆一。 这是一个古老的故事,也是一个新的故事。说它“古老”是因为它创作于一百五十多年以前,那时的科学发展才刚刚起步;说它“新”是因为弗兰肯斯坦的问题也就是我们今天所面临的问题。科学给予我们力量去改造世界,但这种力量也可能与我们作对并毁灭了弗兰肯斯坦所爱的一切。今天的科学家正在创造着巨大的机器、电脑和武器,他们声称这些东西对我们有益——但我们能够驾驭它们吗?
简介:Gothic Readings: The First Wave, 1764-1840 is an anthology of Gothic literature, set within the context of contemporary criticism and readers' responses. It includes selections from the major practitioners (including Horace Walpole, Ann Radcliffe, Matthew Gregory Lewis, Samuel Taylor Coleridge, Mary Shelley and Edgar Allan Poe) and many of their followers (including Clara Reeve, Charlotte Smith, Joanna Baillie, Charles Brockden Brown, Catherine Cuthbertson and Eliza Parsons), as well as contemporary reviews, private letters and diaries, chapbooks, and contemporary anecdotes about dramatic performances and the design of theatre sets.
简介:Mary Shelley's authorship of the novel Frankenstein guaranteed her wide-spread renown, but her turbulent life and other literary works are equallyfascinating. Born in 1797 to the writers Mary Wollstonecraft and WilliamGodwin. she inherited her parents' passion for literature, social justice, andwomen's rights. At the age of just sixteen she ran away with Romantic poetPercy Bysshe Shelle), and was widowed by twenty-four. During their eightyears together (living mainly in Italy), she was estranged from her family andsometimes from her husband, suffered periods of depression, and saw threeof their four children die in infancy. Despite her troubles, Mary Shelley main-tained a busy social life, including a complicated friendship with the poetI,ord Byron. She also wrote journals, short stories, mythical dramas, andseveral novels, including Frankenstein. After her husband's death in 1822 shereturned to England with her surviving son. She continued to write, both inorder to earn a living and to satisfy her literary ambitions. She also producedmajor editions of" her husband's poetry and prose.Martin Garrett's engaging biography - extensively illustrated with originalletters and manuscripts - captures the extraordinary life of Mary Shelley andthe social circle in which she moved. Theauthor also discusses some of MaryShelley'slesser-known writings, longneglected but now the subject of continuing critical attention. 作者简介: Martin Garrett has written extensively onboth nineteenth-century and Renais-sance literature. His recent booksinclude two titles in The British LibraryWriters' Lives series - George Gordon. LordByron (2000) and Elizabeth Barrett Brown-ing and Robert Browning (2001) - andVenic: A Cultural and Literary Companion(Signal Books, 2001). He is also theauthor of A MaryShelley. Chronology,(Palgrave Macmillan. 2001).
作者: Mary Shelley.
简介: Frankenstein; or, The Modern Prometheus is a novel by Mary Shelley. First published in London, England in 1818 (but more often read in the revised third edition of 1831), it is a novel infused with some elements of the Gothic novel and the Romantic movement. It was also a warning against the "over-reaching" of modern man and the Industrial Revolution. (The novel's subtitle, The Modern Prometheus, alludes to the over-reaching and punishment of the character from Greek mythology.) The story has had an influence across literature and popular culture and spawned a complete genre of horror stories and films. Many distinguished authors, such as Brian Aldiss, claim that it is the very first science fiction novel. "I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life and stir with an uneasy, half-vital motion." A summer evening's ghost stories, lonely insomnia in a moonlit Alpine's room, and a runaway imagination--fired by philosophical discussions with Lord Byron and Percy Bysshe Shelley about science, galvanism, and the origins of life--conspired to produce for Marry Shelley this haunting night specter. By morning, it had become the germ of her Romantic masterpiece, "Frankenstein." Written in 1816 when she was only nineteen, Mary Shelley's novel of "The Modern Prometheus" chillingly dramatized the dangerous potential of life begotten upon a laboratory table. A frightening creation myth for our own time, "Frankenstein" remains one of the greatest horror stories ever written and is an undisputed classic of its kind. About the Author The daughter of Mary Wollestonecraft, the ardent feminist and author of A Vindication on the Right of Women, and William Goodwin, the Radical-anarchist philosopher and author of Lives of the Necromancers, Mary Goodwin was born into a freethinking, revolutionary household in London on August 30,1797. Educated mainly by her intellectual surroundings, she had little formal schooling and at sixteen eloped with the young poet Percy Bysshe Shelly; they eventually married in 1816. Mary Shelly’s life had many tragic elements. Her mother died giving birth to Mary; her half-sister committed suicide; Harriet Shelly–Percy’s wife dr5owned heself and her unborn child after he ran off with Mary’ William Goodwin disowned Mary and Shelly after the elopement, but–heavily in debt–recanted and came to them for money; Mary’s first child died soon after its birth; and in 1822 Percy Shelly drowned in the Gulf of La Spezia–when Mary was not quite twenty-five. Mary Shelly recalled that her husband was “forever inciting” her to “obtain literary reputation.” But she did not begin to write seriously until the summer of 1816, when she and Shelly we in Switzerland, neighbor to Lord Byron. One night following a contest to compose ghost stories, Mary conceived her masterpeicve. Frankenstein. After Shelly’s death she continued to write Valperga (1823), The Last Man (1826), Ladore (1835), and Faulkner (1837), in addition to editing he husband’s works. In 1838 she began to work on his biography, but owing to poor health she completed only a fragment. Although she received marriage proposals from Trelawney, John Howard Payne, and perhaps Washington Irving, Mary Shelly never remarried. “I want to be Mary Shelly on my tombstone,” she is reported to have said. She died on February 1, 1851, survived by he son, Percy Florence. Amazon.com Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelg?nger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates. From School Library Journal Grade 9 Up-Full-color drawings, photographs, and reproductions with extended captions have been added to the unedited text of Shelley's novel, thus placing the work in the context of the era in which it was written. The artwork faithfully represents the text and makes this edition appealing to reluctant readers. Unfortunately, many of the captions provide tangential information that, although interesting, interrupts the flow of the story. However, readers will quickly learn that it is not necessary to read every caption and appreciate this volume for its many quality illustrations. Michele Snyder, Chappaqua Public Library, NY Book Dimension Height (mm) 177 Width (mm) 117
作者: [英]玛丽·雪莱(Mary Shelley)原著;( )Margaret Tarner[改写];张春注释
出版社:上海外语教育出版社,2003
简介: 为了促进我国中学生的英语学习,培养他们的文化素养和文学修养,上海外语教育出版社经过长时间的酝酿和市场调研,决定将英国麦克米伦出版公司的一套文学名著简写本引荐给我国的中学生。 外教社从麦克米伦出版公司的这套文学名著简写本中精心挑选了40本,汇成一套“轻松读经典丛书”,难易程度跨越“英语课程标准”的3级-8级。这套丛书选编了英、美、法等国文学大师的经典之作,包括莎士比亚、狄更斯、马克?吐温、哈代、大仲马等著名作家的作品。为了让中学生在阅读过程中更好地把握原书的精髓和作家的创作历程,外教社还特地对读物中的语言难点做了注释;并加入了一篇关于作家、作品的背景介绍。 我们衷心希望“轻松读经典丛书”能够有助于提高我国中学生的文学欣赏水平,陶冶他们的道德情操,增强他们的英语阅读能力,成为开启中学生英语文学名著阅读之门的金钥匙。
简介:A massive reinterpretation and reevaluation of nineteenth-century literature by women in the light of feminist poetics. The authors focus on the obsessive spatial imagery, on the allied theme of madness (both as anger and as insanity), and on the revisionary struggle implicit in female writing, to trace a unique tradition in nineteenth-century English and American literature. The writers discussed include Jane Austen, Mary Shelley, the Brontes, George Eliot, and Emily Dickinson.
简介:Routledge A Level English Guidesequip AS and A2 Level students with the skills they need to explore, evaluate, and enjoy English. Books in the series are built around the various skills specified in the assessment objectives (AOs) for all AS and A2 Level English courses. Focusing on the AOs most relevant to their topic, the books help students to develop their knowledge and abilities through analysis of lively texts and contemporary data. Each book in the series covers a different area of language and literary study, and offers accessible explanations, examples, exercises, summaries, a glossary of key terms, and suggested answers. The Language of Literature: *looks at how writers use language to create literary texts *explores a wide variety of literary texts from Shakespeare to Helen Fielding, via Alexander Pope, William Blake, Mary Shelley, Charles Dickens, Oscar Wilde, Julian Barnes and Martin Amis *covers the key skills and topics, including structure, shapes and patterns, genre and sub-genre, narrative and narrators, representing talk, metaphor, allegory and intertextuality *offers a step-by-step guide to approaching literary texts and structuring a response *can be used as both a course stimulus and a revision tool. Written by an experienced teacher, author and AS and A2 Level examiner, The Language of Literatureis an essential resource for all students of AS and A2 Level English Language, English Literature, and English Language and Literature.
简介: Although we are used to thinking of science and the humanities as separate disciplines, in the nineteenth century this division was not recognized. As the scientist John Tyndall pointed out, not only were science and literature both striving to better "man's estate," they shared a common language and cultural heritage. The quest for "origins," the nature of the relationship between society and the individual, and what it meant to be human were subjects that occupied both the writing of scientists and novelists. This anthology brings together a generous selection of scientific and literary material to explore the exchanges and interactions between them. Fed by a common imagination, scientists and creative writers alike used stories, imagery, style, and structure to convey their meaning, and to produce works of enduring power. It includes writing by Charles Babbage, Charles Darwin, Sir Humphry Davy, Charles Dickens, George Eliot, Michael Faraday, Thomas Malthus, Louis Pasteur, Edgar Allan Poe, Mary Shelley, Mark Twain and many others. Also included are introductions and notes to guide the reader.
简介:From the vast cultural upheavals that came with the FrenchRevolution arose Mary Shelley's famous novel Frankenstein;or, The Modern Prometheus (1818). Frankenstein is the taleof a doctor who brings to life a hideous "Creature" endowed with both intelligence and sensitivity - but driven to evil by lack of human compassion. The novel promotes the highest ideal of Romanticism: the potential for human goodness to thrive unfettered by law. Yet, like the Victorian thought already creeping into Shelley's England, Frankenstein also asks whether we can truly live by that ideal. As Mary Lowe-Evans observes in this unique and exciting new historicist reading of the novel, nothing so clearly reveals Frankenstein's ambivalent position between Romantic liberte and Victorian limitations as its treatment of conventional marriage. The value of marriage,she tells us, was hotly contested by men and women of the early nineteenth century, including Mary Shelley. Lowe-Evans offers rich biographical background for Shelley's reflections on the institution, particularly the legacy ofher father, philosopher William Godwin, who peaked the Romantics' scorn for marriage with his infamous treatise Political Justice. Shelley, Lowe-Evans explains, behaved according to Godwin's stated principles: as an intellectual, creative woman who loved and lived with poetPercy Bysshe Shelley while he was still married - but she also suffered for the choices she made. Who better, Lowe-Evans makes brilliantly clear, to write this novel of conflict between Romantic ideals and the restrictions of the real world? Bringing us from the genesis of the Creature - who represents the democratic principles of the Revolution - through his series of horrific murders - his Reign of Terror - Lowe-Evans illuminates Shelley's acknowledgment of the end of Romanticism. The image of housewife Margaret Saville, the problematic union of Safie and Felix, the longings of the ship's captain, the tragic outcome of Dr. Frankenstein's wedding to Elizabeth - all tie elegantly into Shelley's era, her life, and her ultimate belief in conventional marriage. Lowe-Evans elucidates that fascinating tie for the first time.
Women travel writers and the language of aesthetics, 1716-1818 /
简介:British readers of the eighteenth and early nineteenth centuries eagerly consumed books of travel in an age of imperial expansion that was also the formative period of modern aesthetics. Beauty, sublimity, sensuous surfaces, and scenic views became conventions of travel writing as Britons applied familiar terms to unfamiliar places around the globe. The social logic of aesthetics, argues Elizabeth Bohls, constructed women, the labouring classes, and non-Europeans as foils against which to define the 'man of taste' as an educated, property-owning gentleman. Women writers from Mary Wortley Montagu to Mary Shelley resisted this exclusion from gentlemanly privilege, and their writings re-examine and question aesthetic conventions such as the concept of disinterested contemplation, subtly but insistently exposing its vested interests. Bohls' study expands our awareness of women's intellectual presence in Romantic literature, and suggests Romanticism's sources at the peripheries of empire rather than at its centre.
简介:P The term 芒聙聵rhetoric' describes the effective use of language, usually to persuade or influence. Frequently set up in opposition to 芒聙聵truth' or 芒聙聵plain speech', it has attracted much critical debate from ancient philosophy to current literary theory. /P P /P P Examining both the practice and theory of this controversial concept, Jennifer Richards looks at: /P UL P LI historical and contemporary definitions of the term 芒聙聵rhetoric' /LI P /P P LI uses of rhetoric in literature, by authors such as William Shakespeare, Mary Shelley and James Joyce /LI P /P P LI classical traditions of rhetoric, as seen in the work of Plato, Aristotle and Cicero /LI P /P P LI the rebirth of rhetoric in the Renaissance and its return to the contemporary academy through Composition and Literature courses /LI P /P P LI the current position and way forward for rhetoric in literary and critical theory, as envisaged by critics such as Paul de Man, Jacques Derrida and Kenneth Burke. /LI P /P /UL P/P P This insightful volume offers an honest and accessible account of this debatable yet unavoidable term, making this book invaluable reading for students of literature, philosophy and cultural studies. /P
简介: 在线阅读本书 This "Norton Critical Edition" of "Frankenstein" contains the 1818 first edition text. Only the obvious typographical errors have been corrected. The book also includes writings by Mary Shelley, Percy Bysshe Shelley, Lord Byron and John William Polidori, enabling the reader to place the novel in its historical context. Six 19th-century responses to the novel illustrate contemporary reactions, whilst 12 modern critical essays cover the different aspects (psychoanalytic, mythic, feminist) of the work.
简介:Summary: Publisher Summary 1 Explores the role of gender in early nineteenth-century British literary culture. Publisher Summary 2 Sonia Hofkosh explores the role of gender in early nineteenth-century British literary culture, especially in terms of the simultaneous commercialization and feminization of literature. Examining a wide range of texts, she shows how the development of a female reading audience aroused anxieties in the male writers of the period. The author also considers the ways in which three women writers (Mary Shelley, Sarah Hazlitt and Jane Austen) attempted to negotiate the minefields of a male-dominated literary discourse that rendered the female "invisible."
简介:Book Description The Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles. This novel is the deeply disturbing story of a monstrous creation which has terrified and chilled readers ever since its first publication in 1818. The novel is the outcome of reflection on Gothic horror, galvanism, the then theories concerning the origin of life and the myth of Prometheus. Amazon.com Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelg?nger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates. From 500 Great Books by Women; review by Jesse Larsen After being rescued from an iceberg, Dr. Frankenstein relates his autobiography to the ship's captain, complete with vivid descriptions of his idyllic childhood and passionate cries of regret that not even his love for Elizabeth could control his fanatic ambition. Dr. Frankenstein has been consumed by his desire to create a fully-grown living creature. When he reaches his goal, he perceives his creation as a monster, immediately regrets his work, and promptly abandons it. We also hear the poignant voice of the monster as he describes the spurning and physical attacks he has endured because of his ugliness; his desolate pain and loneliness; how he learns to love; how he finally finds and tries, unsuccessfully, to make peace with his maker; how he learns to hate. A story within a story, Frankenstein is a subtle and ironic prophecy that raises the question of who exactly is the real monster in this story. From Booklist Part of the Whole Story series, this is the full text of Mary Shelley's classic gothic story, which was first published in 1818 and has been a wild success ever since. Philippe Munch's illustrations have none of the power of Barry Moser's unforgettable woodcuts that evoke the loneliness of the grotesque outsider (in the Pennyroyal edition published by the University of California Press in 1984). The design here is crowded, and the type is small. However, the many period prints and maps in color and in black and white, with long, detailed captions, do provide the historical setting for the story, its geography, customs, and ideas. Teens enthralled by pop versions of the myth as well as science fiction fans will be interested in going back to the full version of what has been called the first science fiction novel and learning about the circumstances under which it was written by a woman, just 18 years old, 170 years ago. Hazel Rochman From School Library Journal Grade 9 Up-Full-color drawings, photographs, and reproductions with extended captions have been added to the unedited text of Shelley's novel, thus placing the work in the context of the era in which it was written. The artwork faithfully represents the text and makes this edition appealing to reluctant readers. Unfortunately, many of the captions provide tangential information that, although interesting, interrupts the flow of the story. However, readers will quickly learn that it is not necessary to read every caption and appreciate this volume for its many quality illustrations. Michele Snyder, Chappaqua Public Library, NY From AudioFile With so many poor adaptations of Mary Shelley's classic work in all forms of media, it's refreshing to come across a production that retains the quality, premise, and themes of the original book. As the title and principal character, Dr. Frankenstein has an affected voice that suits his tragically ambitious character. The supporting cast works well in a full range of emotions. The script and vocal characterizations de-emphasize Shelley's vision of an intelligent and cunning monster, but this is a quibble. This production is a boon for students new to the book, teachers looking for supplemental classroom materials, and fans of classic literature. A.F. About Author Mary Shelley was born Mary Wollstonecraft Godwin on August 30, 1797 in London, the daughter of William Godwin--a radical philosopher and novelist, and Mary Wollstonecraft--a renowned feminist and the author of Vindication of the Rights of Woman. She eloped to France with Shelley in 1814, although they were not married until 1816, after the suicide of his first wife. She began work on Frankenstein in 1816 in Switzerland, while they were staying with Lord Byron, and it was published in 1818 to immediate acclaim. She died in London in 1851. Book Dimension : length: (cm)19.8 width:(cm)12.6
简介: When two nineteenth-century Oxford students--Victor Frankenstein, a serious researcher, and the poet Percy Bysshe Shelley--form an unlikely friendship, the result is a tour de force that could only come from one of the world's most accomplished and prolific authors. This haunting and atmospheric novel opens with a heated discussion, as Shelley challenges the conventionally religious Frankenstein to consider his atheistic notions of creation and life. Afterward, these concepts become an obsession for the young scientist. As Victor begins conducting anatomical experiments to reanimate the dead, he at first uses corpses supplied by the coroner. But these specimens prove imperfect for Victor's purposes. Moving his makeshift laboratory to a deserted pottery factory in Limehouse, he makes contact with the Doomsday men--the resurrectionists--whose grisly methods put Frankenstein in great danger as he works feverishly to bring life to the terrifying creature that will bear his name for eternity. Filled with literary lights of the day such as Bysshe Shelley, Godwin, Lord Byron, and Mary Shelley herself, and penned in period-perfect prose, "The Casebook of Victor Frankenstein" is sure to become a classic of the twenty-first century.